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You've Selected:
Violin
Piano, Voice
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Livre Edition Complčte (3)
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2 Oboen (oder Violine und Obo… (3)
Piano (Accompagnement) (3)
Flűte Et Violon (3)
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Klavier (Cembalo), 2 Violinen… (3)
3 Trompettes Et Timbale(s) (3)
2 Flűtes ŕ Bec Alto ou Flűtes … (3)
2 Mandolins (duet) (3)
Flűte Traversičre ou Hautbois … (3)
Marimba (3)
Choeur De Femmes A 3 Voix (Cho… (3)
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Details
Aulis Sallinen: A Windy Winter In Provence: Voice: Vocal Work
Piano, Voice
[Sheet music]
Novello & Co Ltd.
A Windy Winter In Provence for Soprano or Tenor and Piano with optional interlu...
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A Windy Winter In Provence for Soprano or Tenor and Piano with optional interludes for Violin and Guitar (available separately) This composition can be performed also as a Voice/Piano song cycle without the interludes written for Violin and Guitar. The duration of this version is about twelve minutes.This was first performed on 31st July 2007 as part of the Joroinen Music Days Festival in Finland by Topi Lehtpuu 9Tenor) Heini Karkkainen (Piano) Jan Soderblom (Violin) and Ismo Eskelinen (Guitar).
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Bach / Gounod - Ave Maria - Voice And Piano (par 10 Minimum)
Piano, Voice
Peters
Instrumentation: High/Medium/Low-voice—Pf (includes Optional Violin Format...
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Instrumentation: High/Medium/Low-voice—Pf (includes Optional Violin Format: Sheet Music Details: Three versions in one edition: high voice (G major); medium voice (F major); low voice (D Major) Contents: Gounod wrote the first version of this famoussong in 1852 and it was published in Decemberof that year by Mayaud as 'Premier prélude deJ.S. Bach'. The words were by Lamartine – 'Vers sur un album' from his Recueillments poétiques of 1839. Exactly when these words were supplanted by those of the 'Ave Maria' is not clear, but it seems to have happened within the first few years of the song's life. After a century and a half the piece isstill sung, played and loved the world over, and this is surely its own guarantee of musical value, as it is of its composer's more general gift as a songwriter. In the view of Maurice Ravel, that sharp critic of everything shoddy or meretricious, 'the true founder of the mélodie in France was Charles Gounod.' (Roger Nichols)
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Salve Regina Rv 616, Rv 617, Rv 618 (VIVALDI ANTONIO)
Piano, Voice
-
Intermediate
Ricordi
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VI...
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé. Par VIVALDI ANTONIO. The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617, and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments, respectively a flute and a pair of oboes, whereas the instrumentation of the first is confined to strings disposed in a single coro, although a solo violin is employed in three movements. RV 617, preserved in a non-autograph source in Brno, belongs to Vivaldi's first period of sacred music composition at the Pietà (1713-1717), while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements, RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores, prepared by Antonio Frigé, are closely based on those of the Critical Editions by Michael Talbot, published in 1998, 1990 and 1994. / Niveau : Intermédiaire / Classique / Répertoire / Chant et Piano
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The International Book of Christmas Carols: Voice: Vocal Album
Piano, Voice
[Vocal Score]
-
Easy
Walton Music
164 easy arrangements with chords of carols from around the world complete with...
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164 easy arrangements with chords of carols from around the world complete with lyrics in the original language as well as English. This special collection also includes historical background information on the observance of Christmas through the years and notes about specific carols to give added understanding. Songs are included from England Italy Latin America Spain Scandinavia Poland Czech Republic and more.Note on the arrangements:'We have worked to make this book both flexible and useful. The Piano accompaniments have been kept simple but much effort has gone into making them musically interesting and satisfying. Chordindications are given for every carol so that the accompaniments may be played on Chord Organs Accordions Guitars Ukuleles and other fretted instruments. A detailed chart demonstrating how to finger chords for fretted instruments is given at the back of the book.We have been careful to keep the voice ranges of the songs comfortable and the texts singable. Since harmony parts always add much pleasure to singing we have retained traditional four-part arrangements of the most familiar carols and hymns. For the others we have provided a second part to go along with the melody (printed in smaller notes) that may be sung or played on the Recorder Flute Violin or on other non-transposing instruments.' - Walter Ehret George K. Evans
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John Corigliano: Petit Fours: Voice & Piano: Vocal Work
Piano, Voice
[Vocal Score]
Schirmer
The song cyclette Petit Fours was composed in 1959 by John Corigliano for Voic...
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The song cyclette Petit Fours was composed in 1959 by John Corigliano for Voice and Piano based on the four poems by Robert Herrick Ogden Nash Aloysius Bertrand and Samuel Taylor Coleridge. Contents: The Ancient Mariner The Turtle Une Allee Luxembourg and Upon Julia's Clothes. One of contemporary music's most distinguished composers John Corigliano has infused classical music with new life by engaging an unusually broad audience. The only person to have won two Grammy Awards for Best Contemporary Classical Composition he has alsoreceived three other Grammy Awards the 2001 Pulitzer Prize in Music for his Symphony No. 2 the 2000 Academy Award for his score for The Red Violin (his third film score) and the 1991 Grawemeyer Award for Best New Orchestral Composition for his Symphony No. 1.
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Andrea Bocelli Believe (BOCELLI ANDREA)
Piano, Voice
[Sheet music]
Hal Leonard
Par BOCELLI ANDREA. Believe is a collection of intimate and contemplative songs ...
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Par BOCELLI ANDREA. Believe is a collection of intimate and contemplative songs that have inspired Bocelli over the years; melodies that evoke memories from his childhood in Tuscany. In addition to the touching and powerful ?Amazing Grace? with Alison Krauss, the new album includes two duets with the mezzo-soprano Cecilia Bartoli and a previously unreleased track from Ennio Morricone. Each song in this volume is arranged for voice and piano, with the addiction of choir, flute or violin parts for some songs. / Date parution : 2021-11-03/ Recueil / Chant et Piano
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Antonio Vivaldi: Salve Regina RV 616 RV 617 RV 618: Vocal: Score
Piano, Voice
[Vocal Score]
-
Intermediate
Ricordi
Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The pre...
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Ed. critica di M. Talbot - Riduzione per canto e pianoforte di A. Frigé-The present volume contains all three settings by Vivaldi of the Marian antiphon Salve Regina that have come down to us. All three are for solo voice: soprano in the case of RV 617 and contralto in that of RV 616 and RV 618. The last two settings are scored for two instrumental cori and introduce woodwind instruments respectively a flute and a pair of oboes whereas the instrumentation of the first is confined to strings disposed in a single coro although a solo violin is employed in three movements. RV 617 preserved in a non-autograph source in Brno belongs to Vivaldi?s first period of sacred music composition at the Pietà (1713-1717) while RV 616 and RV 618 are works of his maturity dating from the years around 1730. RV 617 is laid out in four movements RV 616 and 618 in six movements. All three works are noteworthy for the tenderness of their expression and skilful writing for both the voice and the instruments. The Introduction and Critical Commentary for these vocal scores prepared by Antonio Frigé are closely based on those of the Critical Editions by Michael Talbot published in 1998 1990 and 1994.
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Ralph Vaughan Williams: How Cold The Wind Doth Blow (or The Unquiet Grave):
Piano, Voice
[Sheet music]
Novello & Co Ltd.
From the collection 'Folk Songs from Sussex' (1912). Collected by W. Percy Merri...
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From the collection 'Folk Songs from Sussex' (1912). Collected by W. Percy Merrick. For Solo Voice with Piano accompaniment and optional Violin obligato.
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Haydn Wood: A Brown Bird Singing: Voice: Vocal Work
Piano, Voice
[Sheet music]
Chappell - Warner
In F-A Brown Bird Singing (published in 1922) is second only to the Roses of Pic...
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In F-A Brown Bird Singing (published in 1922) is second only to the Roses of Picardy in popularity among Wood’s vast oeuvre. With lyrics by composer Royden Barrie the romantic words are well matched to the touching melody. The songhas been recorded many times since it appeared including a version by jazz songstress Peggy Lee and one arranged for zither.Haydn Wood earned his reputation as a giant of British light music in the twentieth century through aprolific career that encompassed performance as Violin soloist and conductor and as well as composer of some of the nation’s favourite melodies. Wood was not only was a gifted and popular creator of Orchestral works and musicaltheatre but also the composer more than 200 songs in his lifetime -- perhaps inspired by his long and happy marriage to singer Dorothy Court -- many of them the greatest hits of their era.
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Wolfgang Amadeus Mozart: Missa Brevis In B Flat K. 275: Voice: Vocal Score
Piano, Voice
[Sheet music]
Barenreiter
The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably so...
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The Missa Brevis B-Flat Major K. 275 (272b) was composed in Salzburg probably sometime before 23 September 1777.It is scored for Soprano solo Alto solo Tenor solo Bass solo Mixed choir (SATB) Trombone (3) Violin (2) Basses (Double bass Bassoon) Organ.Full score vocal score & performance material (BA5344) are available for sale.
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Johannes Brahms: Four Songs with Lyrics by Klaus Groth 1st Edition: Voice: Vocal
Piano, Voice
G. Henle
Frühfassungen aus Lieder und Gesänge op. 59 (Erstausgabe)-This first edition o...
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Frühfassungen aus Lieder und Gesänge op. 59 (Erstausgabe)-This first edition of the ?Regenlied Cycle? is only available from G. Henle Publishers. In the preface Michael Struck an eminent Brahms scholar writes about the distinctiveness of the work untilnow a completely unknown little song cycle by the composer. In it Brahms sets four texts to music by the poet Klaus Groth whom he greatly admired. In the well-known song cycle Opus 59 published by Brahmshimself the Groth songs are also to be found together with other songs.The reason why Johannes Brahms? Violin Sonata no. 1 in G major op. 78 is also known as the ?Regenlied? Sonata becomes clear on acquiring studying and playing this ?Regenlied Cycle?.
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Eduardo Toldra: Coleccion De Canciones - Volume 1: Voice: Mixed Songbook
Español
Piano, Voice
[Vocal Score]
Unión Musical Ediciones
Eduardo Toldra (1895-1962) was a Catalan virtuoso violinist conductor and comp...
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Eduardo Toldra (1895-1962) was a Catalan virtuoso violinist conductor and composer whose students included Ros-Marb and Montsalvatge. His compositional work consists largely of songs folk dances operas and orchestral pieces; rather traditional in style it was initially dismissed as old-fashioned compared to many of his contemporaries. Today however a revival in interest in Catalan folk music and its influences mean he is growing in popularity.Coleccion De Canciones: Volume 1 gathers together some of his best-loved songs for Voice and Piano showcasing his simple warm lyrical style. From the early Abril (1920) toAquarel-la Del Montseny (1960) this collection spans most of his career and forms a valuable addition to any vocalist’s repertoire.
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Canzona, Aria And Rondo (STRAVINSKY SOULIMA)
Piano, Voice
[Sheet music]
Peters
Par STRAVINSKY SOULIMA. Violin and Piano - Durée: 11 min / Contemporain / Rép...
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Par STRAVINSKY SOULIMA. Violin and Piano - Durée: 11 min / Contemporain / Répertoire / Chant et Piano
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HANDEL G.F. - NINE GERMAN ARIAS
Piano, Voice
G. Henle
We do not know very much about Handel's compositions on poems by Barthold Heinri...
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We do not know very much about Handel's compositions on poems by Barthold Heinrich Brockes. We can only date their composition to approximately 1724-1727. The autograph does not shed any light on the titles nor the sequence of theworks. It does not even give the instrumentation. Thus there are several alternatives for the solo instrument that imitates the vocal part - although violin, flute or oboe are the most likely. Henle's practical edition not onlycontains additional parts for the solo instrument and the bassbut also a realization of the figured bass in the score by the editor Ullrich Scheideler.
1. KĂĽnft'ger Zeiten eitler Kummer E flat major HWV 202
2. Das zitternde Glänzen der spielenden Wellen E flat major HWV 203
3. SĂĽĂźer Blumen Ambraflocken g minor HWV 204
4. SĂĽĂźe Stille, sanfte Quelle F major HWV 205
5. Singe, Seele, Gott zum Preise a minor HWV 206
6. Meine Seele hört im Sehen B flat major HWV 207
7. Die ihr aus dunklen GrĂĽften B flat major HWV 208
8. In den angenehmen BĂĽschen d minor HWV 209
9. Flammende Rose, Zierde der Erde A major HWV 210
/ Partitions classique / Vocale - chorale / Voix solo - piano / HENLE VERLAG
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Songs II GA/CE vol. 11 (SZYMANOWSKI KAROL)
Piano, Voice
[Sheet music]
PWM (Polskie Wydawnictwo Muzyczne)
Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in ...
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Par SZYMANOWSKI KAROL. (VII) The Polish idiom appeared in Szymanowskis music in 1920, foreshadowing the beginning of a new period of creativity, later called nationalistic. Before this idiom was realised and such compositions typical of the Polish style as the ballet Harnasie, the Mazurkas, Stabat Mater, Fourth Symphony and Second Violin Concerto had been written, the change in musical thinking and the first experiments in the new language took place in songs. Symptoms of the new style manifested themselves fully in Slopiewnie, Op. 46 bis, composed in the summer of 1921 and published by Universal Edition. In these bizarre songs to bizarre words by Tuwim Szymanowski attempted to crystallize and generalize artistically some primaeval Polish, racial as he described them elements in music. The inspiring factor was undoubtedly the text by Julian Tuwim, abounding in new-coined words and imbued with its own music. It indicated the direction that artistic creativity was to take, and made the full corellation of the verbal and musical layers possible in, as Mieczyslaw Tomaszewski has stated, all the planse of co-operation phonic, structural, expressional and semantic. Based on A. Neuer Commentary to Complete Edition Volume C11 (VIII) Szymanowski did not yield to the temptation of easy over-stilization. Streching out to the deepest ethnic layers of his native musical culture, he made an attempt to mould and suitably fashion a Polish style of musical utterance. This tendency is apparent in the Three Lullabies, Op. 48, to words by Jaroslaw Iwaszkiewicz, composed in 1922 and published by Universal Edition in 1926. In the Lullabies we can find the confirmation of the fact that utterly new atmosphere which, according to the composer, Slopiewnie had introduced into his music, was not a once-for-all phenomemon. The elements of the new musical language, analised in connection with the earlier cycle, may here be regarded as assimilated. These are modalities in vocal melodies (Lullaby I) and cadences (Lullabies I and III), a bourdon effect with a tritone (Lullaby II). However these sometimes sligh and apparently unimportant details recur constatnly, an so acquire the nature of a definite compositional technique establishing a style based in an increasing degree on nationalistic elements. Based on Adam Neuer Commentary to Complete Edition Volume C11 (IX) The Childrens Rhymes, Op. 49, a cycle of twenty short songs by Kazimiera Illakowicz, composed in 1922-23, were a completely new creative experience for Szymanowski. He composed the Rhymes with his 11-year-old niece in mind. She was the daughter of Stanislawa Korwin-Szymanowska, who performed these songs for the first time in Warsaw on 25 February 1924. / Date parution : 2021-12-09/ Recueil / Chant et Piano
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3 Etudes (STRAVINSKY SOULIMA)
Piano, Voice
[Sheet music]
Peters
Par STRAVINSKY SOULIMA. Violin and Piano - Durée: 9 min / Contemporain / Etude...
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Par STRAVINSKY SOULIMA. Violin and Piano - Durée: 9 min / Contemporain / Etude / Chant et Piano
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Maurice Duruflé: Messe Cum Jubilo Op. 11: SATB: Part
Français
Piano, Voice
Durand
Violin 1
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Muriel Herbert: The Lake Isle Of Innisfree: Mixed Choir: Vocal Work
Piano, Voice
[Sheet music]
Novello & Co Ltd.
Muriel Herbert was a twentieth century English composer and teacher who was acti...
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Muriel Herbert was a twentieth century English composer and teacher who was active in her early life composing not only many songs but also some works for Violin. In recent years a new appreciation has begun to form for her sensitive and stylish Vocal works.
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Canzoni For Bass (FRESCOBALDI GIROLAMO)
Piano, Voice
[Sheet music]
Faber Music Limited
Par FRESCOBALDI GIROLAMO. A collection of pieces, all carefully selected and arr...
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Par FRESCOBALDI GIROLAMO. A collection of pieces, all carefully selected and arranged to provide supplementary material for today's young violinists. Each piece offers suggestions and guidelines to breathing dynamics and tempo together with technical tips, performance notes and a simple, but effective piano accompaniment. Contains a variety of musical styles ranging from folk and classical through to showtunes and popular songs./ RĂ©pertoire / Chant et Piano
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Arthur Bliss: Elegiac Sonnet Set Of Parts: Tenor: Parts
Piano, Voice
[Sheet music]
Novello & Co Ltd.
This work is dedicated to the memory of Noel Mewton-Wood. The set contains the ...
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This work is dedicated to the memory of Noel Mewton-Wood. The set contains the following parts First and Second Violins Viola and Cello. The voice and piano parts are contanied within the score. Score available NOV954800.
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Lullaby (SCHOENBERG ARNOLD)
Piano, Voice
[Sheet music]
Universal Edition
Par SCHOENBERG ARNOLD. Arnold Schönberg (1874-1951), né le 13.9.1874 à Vienne...
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Par SCHOENBERG ARNOLD. Arnold Schönberg (1874-1951), né le 13.9.1874 à Vienne comme fils d'abusinessman. Il commence à jouer de la violinwhen il était 8 et plus tard changé pour violoncelle.De l'âge de 21 ans, il est un musicien professionnel. On trouvera plus d'information en 22003a de l'UE./ Répertoire / Chant et Piano
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Te Deum In B-Flat Major Hwv 281 (HAENDEL GEORG FRIEDRICH)
Piano, Voice
[Sheet music]
Barenreiter
Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te D...
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Chandons Te Deum HWV 281. Par HAENDEL GEORG FRIEDRICH. Handel composed the 'Te Deum” in B-flat major HWV 281 in 1718 for the future Duke of Chandos, hence its nickname 'Chandos Te Deum”. Here it is called 'Te Deum for Cannons” after the Duke's stately home named Cannons where the first performance took place. The unusual scoring for flute, oboe, bassoon, trumpet, two violins and basso continuo plus a choir (one soprano, three tenors and a bass) probably reflects the musicians which were available at Cannons, bearing in mind that three tenors were used also in 'Acis and Galatea”, the masque which was composed at almost the same time. Though in many respects this 'Te Deum” is reminiscent of the 'Utrecht Te Deum”, its smaller forces tend to give it more the character of chamber music. This edition is based on the Urtext from the 'Halle Handel Edition” (BA 10708), which offers the first complete scholarly text of the music for the 'Te Deum”./ Répertoire / Chant et Piano
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Te Deum In C (HAYDN FRANZ JOSEF)
Piano, Voice
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Carus Verlag
Zum Nahmensfest des Bonapart produciret. Par HAYDN FRANZ JOSEF. For the first ti...
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Zum Nahmensfest des Bonapart produciret. Par HAYDN FRANZ JOSEF. For the first time this work ascribed earlier to Joseph Haydn will be edited here under the name of his brother, Johann Michael Haydn, and based on the most reliable source from 1765 from the Benedictine monastery Göttwieg. There, in the course of a century the work was heard forty times for opening of the solemn High Mass, as also in 1809 on the name day of Emperor Napoleon, who spent a short time at the monastery following the battle of Aspern and Eßling. According to late baroque custom, the scoring consists of a soprano, alto, tenor, bass [each soli and tutti], two violins, two trumpets with timpani [ad libitum, corresponding to the purpose of the particular performance] and basso continuo. / Date parution : 2019-12-12/ Répertoire / Chant et Piano
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