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You've Selected:
Violin
Cello, Piano
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Mug (6)
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2 Recorders (duet) (6)
Opera (6)
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Edition Critique des oeuvres d… (6)
Solistes (SATB), Choeur Mixte … (6)
Instruments à Vent (6)
Flûte A Bec Soprano (Flûte Tra… (6)
Ensemble D'Altos (6)
Violon 2 (6)
2 Clarinettes Et Basson (6)
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Music Theory Et Resources (6)
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2 Flûtes A Bec Soprano Et Bass… (6)
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2 Violons ou Flûte Traversière… (5)
2 Instruments Solo (Flûte Trav… (5)
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Flute, Oboe, Violin, Violoncel… (5)
Orgue et Musique de Chambre (5)
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2 Violons, Violoncelle, Cordes… (5)
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Livre Musical (5)
Ukulele (5)
Soli (T (Evangelist), B (Jesus… (5)
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Voix, Violon et Piano (5)
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Violon, Orgue et Harpe (4)
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Violon, Cor Anglais et Piano (4)
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Violon, Clarinette, Basson et … (4)
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Guitare, Violon, Mandoline, ba… (4)
2 Violons, Violoncelle (ou Alt… (4)
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2 Flûtes à Bec Alto, 2 Flûtes … (4)
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Flûte Traversière et Trio à Co… (4)
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Violon 3 (3)
Cello Ensemble (3)
Viola da Gamba (3)
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Flûte Traversière Violon et Gu… (3)
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Voix et Instruments Divers (3)
Tuba and Piano (3)
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Flûte Et Violon (3)
2 Trumpets, Keyboard (piano or… (3)
Conducteur De Poche (3)
Klavier (Cembalo), 2 Violinen… (3)
3 Trompettes Et Timbale(s) (3)
2 Flûtes à Bec Alto ou Flûtes … (3)
2 Mandolins (duet) (3)
Flûte Traversière ou Hautbois … (3)
Marimba (3)
Choeur De Femmes A 3 Voix (Cho… (3)
Flûte Traversière, Clarinette … (3)
Alto Et Orgue (3)
Xylophone or Marimba or Vibrap… (3)
Strings - Violin / Viola / Vi… (3)
Gemischter Chor (SSATB/SSATB/S… (3)
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2 Flutes, Basso continuo (3)
DVD concert (3)
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César Franck: Sonate für Klavier und Violine A-dur: Cello: Score
Cello, Piano
G. Henle
Version for Violoncello-César Franck's Sonata For Piano And Violin In A. Urtext...
(+)
Version for Violoncello-César Franck's Sonata For Piano And Violin In A. Urtext edition for Cello.Unlike some of his other late works Franck?s Violin Sonata (HN293) composed in 1886 was well-received by thepublic and critics from the very start. The beautiful arrangement for Cello published in January 1888 distinguishes itself from the numerous other arrangements in that Franck expressly authorised it.The cellistJules Delsart who had heard a performance of the sonata in Paris in December 1887 was so delighted by it that he asked Franck?s permission to make a transcription of the Violin part for his own instrument. Delsartremained close to the original; he left the Piano part unaltered and transposed the Violin part only where necessary and appropriate into the lower register.
24.50 GBP - Sold by Musicroom UK
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Edward Elgar: Salut D'Amour Op. 12 For Violoncello And Piano: Violin: Score
Cello, Piano
[Sheet music]
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Intermediate/advanced
G. Henle
Salut d'amour op. 12 for Violin and Piano-Edward Elgar?s Salut D?Amour is one of...
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Salut d'amour op. 12 for Violin and Piano-Edward Elgar?s Salut D?Amour is one of those pieces by the British composer that has a particularly haunting melody.The short work also had a special significance for the composer. CarolineAlice Roberts had been having Piano lessons with Elgar since 1886. Their teacher-pupil relationship soon blossomed into love and they became engaged in 1888. It was in this year that Elgar composed ?SalutD?Amour? for his bride initially with the German title ?Liebesgruß?. They got married in 1889 and the work was published at the same time. Henle are now publishing this moderately difficult immortal classic inthe original versions for Violin and Piano Violoncello and Piano (HN1189) and Piano solo (HN1190).
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Charles Camilleri: Sonata for Violin with Piano accompaniment: Cello:
Cello, Piano
[Sheet music]
Novello & Co Ltd.
Sonata for Violin with Piano accompaniment
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Edward Elgar: Romance For Violin And Piano: Violin: Instrumental Work
Cello, Piano
[Sheet music]
Novello & Co Ltd.
This is the slow movement of the Violin Sonata Op.82.
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Edward Mollenhauer: The Infant Paganini: Cello: Instrumental Work
Cello, Piano
-
Easy
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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Edward Mollenhauer: The Boy Paganini: Cello: Instrumental Work
Cello, Piano
[Sheet music]
-
Intermediate
Barenreiter
Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born i...
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Fantasia transcribed for violoncello and piano by Christoph Sassmannshaus-Born in Erfurt the composer Edward Mollenhauer (1827 1914) achieved success in America as a soloist and teacher. His best-known pieces for young violinists are The Infant Paganini and The Boy Paganini. Both appear here in their original version for Violin and Piano and for the first time in a transcription for Cello and Piano by Christoph Sassmannshaus.The Mollenhauer fantasia The Infant Paganini is a charming introduction to early virtuoso techniques. It calls for bowing techniques such as detaché legato spiccato and arpeggios over three strings. Players are also expected to play harmonics andpizzicato.It (BA 10693) can be mastered by young Cello students who are working with volume 4 of the Sassmannshaus Early Start on the Cello and can manage first to fourth position.The Boy Paganini is an impressive concert piece which is more demanding. Its two movements call for changes of metre harmonics and pizzicato. Other challenges include chords on all four strings and simple passages in octaves. On the Cello (BA 10694) the student must be able to play in first to fourth position.Both violinists and cellists should have completed volume 4 of Early Start on the Violin and Early Start on the Cello respectively in order to master this work.- Popular recital pieces for young violinists and cellists.- Both works form an ideal continuation of the Sassmannshaus Early Start methods.- Pieces originally scored for Violin now also available for the first time for Cello.Violin editions:The Infant Paganini BA10691The Boy Paganini BA10692
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César Franck: Sonata / Mélancolie: Cello: Instrumental Work
Cello, Piano
-
Intermediate
Barenreiter
for Violoncello and Piano-Cesar Franck?s Sonata for Piano and Violin is one of t...
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for Violoncello and Piano-Cesar Franck?s Sonata for Piano and Violin is one of the most treasured works in the Violin repertoire a masterpiece of cyclic form with a gracefulness and expressive force almost paradigmatic for the age of musical Romanticism. This work was composed in 1886 and was dedicated to the Belgian violinist and composer Eugène Ysaÿe.Franck?s friend the cellist Jules Desart was so impressed when he heard the Violin Sonata performed at the Société nationale de musique in Paris that he adapted the work for his instrument. This arrangement was first published in 1887 by inserting the Cello part into the Piano score of the original edition. For this purpose thePiano score had received a new cover and the publisher had expanded the title of the composition to ?Sonate pour Piano et Violon ou Violoncelle?. This version by the cellist Jules Delsart for Piano and Violoncello is the only arrangement of the work authorized by the composer and its first edition represents the main source for Bärenreiter?s new scholarly-critical publication.This Barenreiter edition also includes a separate movement ?Mélancolie? first published after Franck?s death in 1911 again for the same instrumentation Piano and Violin or Violoncello. This short piece is based on a solfège exercise and was written at the height of the composer?s creative powers at about the same time as his famous Violin sonata.The edition is rounded off by an informative text on the genesis and reception history of the two compositions (Ger/Fr/Eng) a complete list of sources editorial notes and a Critical Commentary (Eng).Pioneering new Urtext editionInformative text on the genesis and reception history of the two compositions (Ger/Fr/Eng)Detailed Critical Commentary (Eng)Also available:Sonata; Andantino quietoso Op.6; Mélancolie for Piano & Violin BA9425.Sonata arranged for Piano & Viola BA10918.Sonata in A major arranged for Piano & Flute BA8734
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César Cui: Caleidoscopio Op. 50 N. 9 (Kurtz): Cello Duet: Instrumental Work
Cello, Piano
IMC (International Music Co.)
Russian army officer Cesar Cui is best known for his avocational life in music &...
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Russian army officer Cesar Cui is best known for his avocational life in music – as a composer and music critic. Even though Cui composed in almost all genres of his time his status today in therepertoire is considerably small based (in the West) primarily on some of his Piano and chamber music – such as the (originally) Violin and Piano piece Orientale. Part of Kaleidoscope a collectionof 24 miniatures (most of which are now forgotten) Orientale has been a staple on violinists' and cellists' encore lists for more than a century now. The piece is a prime example of Cui’s strongesttalent the crystallization of mood at an instant in his instrumental miniatures. The 6/8 time Allegretto rides along on a tambourine rhythm set up by the soloist in the opening bars with the main tune offered by the Piano andlater taken up “with tenderness” by the Cello. As the name suggests this beautiful miniature carries oriental sounds and motives symbolising the mysterious atmosphere of the desert and with a performance time of under2 minutes is a perfect addition to any cellist’s repertoire.
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Claude Debussy: Nocturne et Scherzo: Cello
Cello, Piano
Faber Music Limited
This piece dates originally from May 1882 when Debussy made his first public ap...
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This piece dates originally from May 1882 when Debussy made his first public appearance as a composer at a musical soiree in Paris accompanying the violinist Maurice Thieberg. Among the work performed on that occasion was a Nocturne and Scherzo for Violin and Piano by the 19-year-old composer which has since disappeared. In June Debussy made a new version for Cello and Piano which survives in autograph manuscript and is published here - in this new edition by the musicologist and cellist Neil Heyde - for the first time.Although the title implies two separate pieces the Nocturne et Scherzo is a hybrid piece in which the opening Scherzo material surrounds a cantabileepisode of nocturnal character.
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Michael Nyman: On The Fiddle For Cello And Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
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Intermediate/advanced
Chester
On The Fiddle consists of three pieces derived from scores to three Peter Greena...
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On The Fiddle consists of three pieces derived from scores to three Peter Greenaway films. The first piece Full Fathom Five is a version of the Shakespeare song setting made for Prospero'sBooks (1990).The second Angelfish Decay is an arrangement of an arrangement: the music for the speeded up time lapse decaying animal sequences in A Zed And Two Noughts (1985) was written for twoviolins and a harpsichord. This was subsequently 'reduced' to a violin solo for Zoo Caprices (1986). For On The Fiddle a piano part has been added.The final piece Miserere Paraphrase was writtenfor use in The Cook The Thief His Wife And Her Lover (1989) and is a transcription of Nyman's setting of the 'Miserere' text (Psalm 51) sung in the film by a boy soprano and mixed chorus.This version for celloand piano written in 1997. Duration c.15 mins.
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César Franck: Sonata In A Major: Cello Duet: Instrumental Work
Cello, Piano
[Sheet music]
IMC (International Music Co.)
The Sonata In A Major is one of Franck's best-known works. Originally for Violin...
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The Sonata In A Major is one of Franck's best-known works. Originally for Violin it was composed as a wedding present for the famous Belgian Violinist Eugene Ysaÿe who performed it at his matrimonial celebrations onSeptember 26 1886. It is set in this edition for Cello and Piano accompaniment and has been selected for the ABRSM Grade 8 Cello Syllabus.
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Christmas Carols for violoncello
Cello, Piano
[Sheet music]
Carus Verlag
20 easy carols for winter, Advent and Christmas for 1-3 violincellos and piano. ...
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20 easy carols for winter, Advent and Christmas for 1-3 violincellos and piano. Par . What would Christmas time be without making music together? Advent, Christmas, and winter songs play an important role for all beginners on a melody instrument, because with these they can show off their progress on the instrument during the first year. And nothing is better suited to this than well-loved and popular Christmas classics.The volumes in our series for instrumental teaching, developed in collaboration with the Landesakademie für die musizierende Jugend in Baden-Württemberg, all contain 20 easy carols arranged in progressive level of difficulty. Experienced instrumental teachers have made a selection of carols for each instrument according to specific criteria. These can be mastered as part of music school lessons after just a few weeks and months. All the carols have been chosen and transposed so that the range and fingering combinations do not exceed the level of difficulty for the first three years of learning.The piano accompaniment is of moderate difficulty. For many of the carols, an ad lib upper or lower part is included which can also be played by instrumental pupils. The volumes are therefore suitable for individual as well as group tuition.The arrangements are based on the piano and instrumental books from the CHRISTMAS CAROLS project (Carus 2.403/03 und 2.404/03) which is part of the LIEDERPROJEKT, the charitable project to further singing with children. The books contain singing texts for all the carols, providing a full range of options for singing and playing together at Christmas.All the books include the printed music of the piano accompaniment. Digital playalong tracks are available for all the books.Further editions for flute, clarinet, alto saxophone, trumpet, violin, cello / Date parution : 2022-10-12/ Recueil / Violoncelle et Piano
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Little Pop Music (SCHMITZ MANFRED)
Cello, Piano
-
Intermediate
AMA Verlag
27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFR...
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27 Stücke für Violine, Viola, Cello oder Flöte und Klavier. Par SCHMITZ MANFRED. Have fun learning through the combination of classical playing technique and pop sound! Separated into different levels of difficulty, in both these titles you’ll find an extensive repertoire of pieces for solo instruments with piano accompaniment. Working together with experienced instrumental pedagogues, Manfred Schmitz has specifically arranged these pieces for violin, viola, cello and flute respectively. Ideal for students and teachers: all components (the piano accompaniment book, the instrumental part books and a play-along CD that contains the piano accompaniments) can all be purchased separately. / Niveau : Intermédiaire / Contemporary - Solos / Recueil / Violoncelle et Piano
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Season of Carols: Cello and Accomp.: Instrumental Album
Cello, Piano
Hal Leonard
Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (...
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Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years tocome. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily onHigh ? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including TheDreydl Song Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 04490404 String Quartet String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion
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Adagio For Violoncello And Piano
Cello, Piano
EMB (Editio Musica Budapest)
Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and ded...
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Zoltán Kodály (1882-1967) composed Adagio for violin and piano in 1905 and dedicated it to the outstanding violinist Imre Waldbauer. In 1910 Kodály made versions of the work for both viola and cello, while Norbert Duka transcribed it for double bass. In 2014 we published all four versions of Adagio in a new separate edition. / Violoncelle Et Piano
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Craig Duncan: Christmas Solos For Beginning Cello: Guitar: Instrumental Album
Cello, Piano
[Sheet music]
-
Easy
Mel Bay
Arrangements that are designed to be enjoyed in a number of settings. Companion ...
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Arrangements that are designed to be enjoyed in a number of settings. Companion books for violin and viola are available. Each offers the melody and harmony part along with piano accompaniment. Suggested uses are: solo cello withpiano accompaniment cello duets cello and violin duets trios with violin cello and viola duets and trios with viola.
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Max Reger: Romanze: Cello: Instrumental Work
Cello, Piano
Fentone Music
arranged for Cello (or flute or violin)-For Cello Flute or Violin and Piano Acc...
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arranged for Cello (or flute or violin)-For Cello Flute or Violin and Piano Accompaniment.
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Robert Schumann: Concerto for Cello and Orchestra (Concertstück): Cello and
Cello, Piano
Peters
Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Redisc...
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Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?Concertstück? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in Kraków. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the Concertstück featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to Düsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil Bockmühl. Bockmühl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in Kraków, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a Concertstück and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?
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10 Rapsodies In Concert, Cello And Piano (SCHMITZ MANFRED)
Cello, Piano
[Sheet music + CD]
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Intermediate
AMA Verlag
Par SCHMITZ MANFRED. 10 appealing concert pieces for violin, viola, cello or flu...
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Par SCHMITZ MANFRED. 10 appealing concert pieces for violin, viola, cello or flute and piano in the style of “RAPsody“ from “Pop Music for Violin & Piano“. The accompanying CD provides the piano accompaniment in two different tempos: a comfortable one for practicing and a brighter one for performance. / Niveau : Intermédiaire / Classic - Solos / Recueil / Violoncelle et Piano
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20th Century Italian Composers Vol. 1: Cello
Cello, Piano
Ricordi
Compositori Italiani del XX secolo Vol. 1-• New volume of the Ricordi Instr...
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Compositori Italiani del XX secolo Vol. 1-• New volume of the Ricordi Instrumental Library series dedicated to the instrumental repertoire of the Twentieth Century. The series includes publications for piano violin/piano guitar and now cello/piano.• This anthology fills an editorial void by re-proposing a series of pieces that would otherwise be difficult if not downright impossible to find and yet have played a special role in the evolution of music for cello and piano in Italy.• The criteria adopted in choosing these pieces are: their musical value their interest from a piano teacher’s point of view and their ability to represent a given period in the history of Italian music and culture.
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Barry John - James Bond Collection + Cd - Cello And Piano
Cello, Piano
[Sheet music + CD]
-
Intermediate
Alfred Publishing
Category: String Series Format: Book & CD Instrument: Cello Instrumentation: Cel...
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Category: String Series Format: Book & CD Instrument: Cello Instrumentation: Cello (with Piano Acc.) Level: Level 2-3 The arrangements in this new series were written especially for violin, viola, and cello, taking into account the specific needs of each instrument. All the arrangements are completely compatible with each other and can be played in small ensembles or as solos. Each book features a specially designed piano accompaniment that can be easily played by a teacher or intermediate piano student, and a carefully crafted removable part, complete with bowings, articulations, and keys well suited for the Level 2-3 player. Each song on the fully orchestrated accompaniment CD includes a demo track, which features a live string performance, followed by the play-along track by itself. Titles are: Diamonds Are Forever * For Your Eyes Only * From Russia with Love * Goldfinger * The James Bond Theme * Live and Let Die * Nobody Does It Better * On Her Majesty's Secret Service * Thunderball * Tomorrow Never Dies * The World Is Not Enough * You Only Live Twice.
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Solos For The Cello Player - Cello
Cello, Piano
[Sheet music]
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Intermediate
Schirmer
Description Solos For The Cello Player Seventeen intermediate level pieces re...
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Description Solos For The Cello Player Seventeen intermediate level pieces representing various stylistic periods. Songlist Allegro (Violin Sonata Op.1 No.15) [Handel, George Frideric] Allegro Spiritoso [Senaille, Jean Baptiste] Andante [Beethoven, Ludwig Van] Andante (Orfeo) [Gluck, Christoph Willibald] Aria [Lotti, Antonio] Country Dance [Weber, Carl Maria Von] La Cinquantaine (Air In The Olden Style) [Marie, Gabriel] Larghetto (Violin Sonata Op.1 No.13) [Handel, George Frideric] Lento (Five Pieces In A Popular Mood) [Schumann, Robert] Lullaby [Brahms, Johannes] Menuet (Divertimento In D, K334) [Mozart, Wolfgang Amadeus] Nina (Canzonetta) [Pergolesi, Giovanni] Romance [Debussy, Claude] Sicilienne [Faure, Gabriel] The Swan (Carnival Of The Animals) [Saint-Saens, Camille] Two Bourrees (Third Cello Suite] [Bach, Johann Sebastian] Village Song [Popper, David]
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Gabriel Fauré: Sonata no. 1 in d minor op. 109: Cello: Score and Part
Cello, Piano
G. Henle
Immediately after finishing his second Violin Sonata op. 108 Fauré started wor...
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Immediately after finishing his second Violin Sonata op. 108 Fauré started work on a sonata for Cello and Piano in early 1917 thus realising a long-conceived plan. In their predisposition and attitude both works are very closely related. In the Cello sonata a sombre dramatic opening movement is also followed by a calm relaxed slow middle movement and a graceful finale. The critical response to the first performances was subdued but on account of increasing interest in Fauré?s complete late chamber music this sonata has recently been rediscovered as a substantial part of his oeuvre. The Henle Urtext edition constitutes the first criticaledition of this work. David Geringas a master of his craft supplied the markings in the Cello part.
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Cyril Scott: Lullaby Op.57 No.2 for Cello and Piano: Cello: Instrumental Work
Cello, Piano
[Sheet music]
Novello & Co Ltd.
Lullaby (Op. 57 No. 2) was first composed in 1908 for Voice and Piano with lyr...
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Lullaby (Op. 57 No. 2) was first composed in 1908 for Voice and Piano with lyrics by Christina Rosssetti. It was transcribed for Cello or Violin and Piano by the famous cellist Charles Warwick Evans (1885-1974) in 1918.Cyril Scott (1879-1970) was a British composer pianist and poet. His most popular works which he is largely remembered by today were written in the years preceding the Second World War however he continued to compose prolifically in the face of indifference from the outside world right up until his death at the age of 91. His music is predominantly in the Romantic style and now serves as an enchantingreminder of a bygone age.
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Bread And Butter Pudding, Cello/Double Bass And Piano
Cello, Piano
Musicland
Easy pieces for Cello and Piano complimenting Musicland Cello Book 1. Can also b...
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Easy pieces for Cello and Piano complimenting Musicland Cello Book 1. Can also be played in String Ensemble, Violin, Viola and Double Bass parts available. / Violoncelle Et Piano
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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Fantasy Pieces For Violoncello And Piano Op. 73
Cello, Piano
Wiener Urtext
Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. ...
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Written in just two days in February 1849, Robert Schumann's Fantasy Pieces Op. 73 were first performed by his wife Clara and the clarinettist Johann Gottlieb Kotte. Initially entitled Soirée Pieces, the composer later had the works published under the name of Fantasy Pieces, thus establishing a connection with poetical aspects. The first edition published in July 1849 contained not only a clarinet part but also a violin and cello part. Since then, they have become an integral part of the Romantic repertoire for cello and piano. This edition is based on the text of the first edition as well as on subsequent corrections from Schumann's personal copy, with the extant composition manuscript serving as an important corrective. / Violoncelle Et Piano
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Henri Dutilleux: Henri Dutilleux: Tout Un Monde Lontain: Cello: Instrumental
Cello, Piano
Heugel
Composed between 1967 and 1970  Tout Un Monde Lontain for Cello and Orchestra ...
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Composed between 1967 and 1970  Tout Un Monde Lontain for Cello and Orchestra byHenri Dutilleux is one of the most important additions to the Cello repertoire in the 20th century. Lasting nearly half an hour each of the five movements are inspired by a poem of Charles Baudelaire: 1. Énigme / Enigma 2. Regard / Gaze 3. Houles / Surges 4. Miroirs / Mirrors 5. Hymne / Hymn The main theme initially introduced in the first part Énigme / Enigma is often replayed through the piece. The third part Houles / Surges is the most difficult to interpret with aScherzo part that's quite challenging and no break between the movements. Henri Dutilleux was internationally acclaimed for his work winning prizes such as the Gold Medal of the Royal Philharmonic Society and the UNESCO's International Rostrum of Composers among many others. His work also includes a Piano sonata two symphonies the Violin concerto 'L'arbre des songes' (The tree of dreams) and the String quartet 'Ainsi la nuit' (Thus the night).
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Robert Schumann: Fantasiestucke Op.73: Cello: Instrumental Work
Cello, Piano
Peters
These Fantasiestucke or Fantasy Pieces - a title denoting short and expressive p...
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These Fantasiestucke or Fantasy Pieces - a title denoting short and expressive pieces without a specified form - were originally written for clarinet and piano; Schumann himself later made arrangements of this work for cello and for violin. The piano and clarinet parts are notated in the score of this edition; however the solo alternative cello part is also included on a separate insert.
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Sonata E Minor, Op. 38/1
Cello, Piano
Schott
Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his tim...
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Bernhard Romberg (1767-1841) probably was the greatest cello virtuoso of his time and compared to Paganini in his lifetime. He gave cello lessons at the famous Conservatoire de Paris among others.Romberg's popular Trio in E minor originally was the first part of the Trois Trios d'une Difficulté Progressive pour le Violoncelle Viola et Violoncelle Op. 38. The solo violoncello was accompanied by a viola and a second violoncello. The two other trios are much more difficult, with a lot of passage work, thumb position, tenor and violin clef.The Trio in E minor Op. 38/1 was arranged many times and scored for various combinations of instruments. This edition refers to the popular arrangement for violoncello and piano by Friedrich Gustav Jansen (1837-1910) which is ideal for music lessons and concerts.Also available is another arrangement of the Trio Op. 38/1 for three violoncellos (SE 1008). The easy bass part can be played by another student.This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons:In print or electronic formatAvailable as printed editions or PDF downloadPractising - efficiently and with pleasureAccompanying tracks of the pieces available as downloads / Violoncelle Et Piano
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