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Bee
Choral
INSTRUMENTS
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Bumblebee! Rounds And Warm Ups (GRIFFIN MICHAEL)
Choral
[Sheet music]
Faber Music Limited
Par GRIFFIN MICHAEL. Bumblebee! Rounds and Warm-ups for Choirs is more than just...
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Par GRIFFIN MICHAEL. Bumblebee! Rounds and Warm-ups for Choirs is more than just a wonderful collection of 130 choir exercises including 50 rounds. Michael Griffin, who has taught and consulted throughout the world, shares timeless wisdom to help you get your choir into shape. 'Will prove useful for almost everyone -Rhinegold Music Teacher Magazine. 'This is a great resource to add to one's library of rehearsal tricks.' - Anacrusis, ACCC, Canada 'Bumblebee contains excellent new ideas and extensions on some of those well-known warm-ups that we all love to use. Backed by clear explanations of the purpose of each, it is a must have, particularly for less experienced choral directors. - S Turner, PLC, Sydney. 'Vocal physiology, singing pedagogy, and effective vocal examples to practise are excellently combined in Bumble Bee, making it a kind of 'one stop shop' for singing teachers and choir conductors. The vocal work is fun with music examples ranging in difficulty, catering for a variety of vocal contexts. The rounds are invaluable in themselves, offering participants many opportunities to make beautiful music. I even use some of these vocal exercises with my tertiary drama students, as they encourage vocal health and illustrate how the vocal mechanism works. I would highly recommend this resource to anyone who cares about voices and loves to sing well! - S. Chapman, QLD 'This is really good stuff for all kinds of vocal groups, choirs, conductors. Bravo!!' - Harrie Spronken, Netherlands. 'This is the thinking person's guide to training a choir! Love it.' - Margaret May, Australia. 'It's great to have some fresh warm-ups to add to the repertory. Being short and repetitive by their nature, we need lots of different ones and most of these are new to my choir. The tips for actions and techniques etc. are really useful, and the advice at the back of the book has made me review some of my strategies.' - Philip Duffy, UK./ Méthode / Choeur
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Missa Solemnis Op. 123 (BEETHOVEN LUDWIG VAN)
Choral
[Sheet music]
Barenreiter
Par BEETHOVEN LUDWIG VAN. Choral Score/ RĂ©pertoire / Choeur
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Brian McSee: Harambee!: Mixed Choir: Backing Tracks
Choral
Shawnee Press
Together We Sing Series-Harambee! is a Swahili word that literally means let us ...
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Together We Sing Series-Harambee! is a Swahili word that literally means let us all pull together. This original work has a distinct African beat and feel with its rhythmic vocal writing creating a sense of passion and call to action for performers and audience. Available separately: SATB SSAB StudioTrax CD. Duration: ca. 4:17.
29.40 GBP - Sold by Musicroom UK
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Fraternite
Français
Choral
[Sheet music]
Billaudot
Considéré par beaucoup comme le dernier représentant du classicisme viennois,...
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Considéré par beaucoup comme le dernier représentant du classicisme viennois, Ludwig Van Beethoven, mort à 57 ans est un génie qui a composé quantité d'oeuvres dont FRATERNITE pour Chant/Vocal/Choeur et plus particuliÚrement pour Choeurs A 5 Voix Mixtes Et plus. Ce sont les éditions Billaudot qui ont éditées cette oeuvre de Ludwig Van Beethoven. Il ne vous reste plus qu'à la jouer. / Choeurs A 5 Voix Mixtes Et plus / Partition
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Beethoven L.v. - Fantaisie Chorale En Do Mineur Op. 80 - Chant, Choeur, Piano
Choral
Breitkopf & Härtel
EDITION URTEXTCompositeur : Beethoven, Ludwig vanInstrumentation : Klav,GCh,Orch...
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EDITION URTEXTCompositeur : Beethoven, Ludwig vanInstrumentation : Klav,GCh,OrchNombre de pages : 64
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Beethoven L.v. - Symphonie N°9 Op. 125 Hymne A La Joie (final) - Chant, Choeur, Piano
Choral
Breitkopf & Härtel
EDITION URTEXT Compositeur : Beethoven, Ludwig van Instrumentation : Soli,Ch,Orc...
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EDITION URTEXT Compositeur : Beethoven, Ludwig van Instrumentation : Soli,Ch,Orch Nombre de pages : 56
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Beethoven L.v. - Missa Solemnis Re Majeur Op. 123 - Chant, Choeur, Piano
Choral
Breitkopf & Härtel
EDITION URTEXT Compositeur : Beethoven, Ludwig van Instrumentation : So,GCh,Orch...
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EDITION URTEXT Compositeur : Beethoven, Ludwig van Instrumentation : So,GCh,Orch Nombre de pages : 148
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Grease Is The Word! Sa Acc. 10-Pack (GRITTON PETER)
Choral
[Sheet music]
Faber Music Limited
Arrangement: Gritton Peter. Par GRITTON PETER. UNE EXCELLENTE OCCASION DE COMMAN...
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Arrangement: Gritton Peter. Par GRITTON PETER. UNE EXCELLENTE OCCASION DE COMMANDER PLUSIEURS EXEMPLAIRES EN A CONSIDERABLEMENT REDUIT LES PRIX - SAUVER UNE LIVRE PAR COPIE. Graisse a frappé la scÚne dans les années 1970 comme un style rock ' ne roll pour créer un drame percutant centré sur la confrontation avec les grandes questions de la vie des adolescents. ' Graisse ' était le nombre d'ouverture pour les deux le stade précoce version et le film et a été rédigé par Barry Gibb (des Bee Gees). ' Summer Nights ' sont une chanson inhabituelle que son un duo, mais les Danny et Sandy sont placés séparément pour le théùtre et de cinéma. ' Nous Go Together ' agit comme une finale pour la comédie musicale et de ce trio de grandes chansons de graisse. Basics chorales a établi de nouvelles normes dans la publication de la chorale. Il offre le répertoire simple et enrichissante pour les chorales de débutant de tous ùges dans une éblouissante des styles de musiques du monde, spirituals, pop classiques, spectacle hits et piÚces originales. Chaque piÚce est examiné attentivement pour le niveau par l'éditeur consultant Alexander L'Estrange et propose des arrangements de 2-partie simples pour.../ Recueil / Choeur
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Grease Is The Word! Sa-Men Acc. 10-Pack (GRITTON PETER)
Choral
[Sheet music]
Faber Music Limited
Arrangement: Gritton Peter. Par GRITTON PETER. UNE EXCELLENTE OCCASION DE COMMAN...
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Arrangement: Gritton Peter. Par GRITTON PETER. UNE EXCELLENTE OCCASION DE COMMANDER PLUSIEURS EXEMPLAIRES EN A CONSIDERABLEMENT REDUIT LES PRIX - SAUVER UNE LIVRE PAR COPIE. Graisse a frappé la scÚne dans les années 1970 comme un style rock ' ne roll pour créer un drame percutant centré sur la confrontation avec les grandes questions de la vie des adolescents. ' Graisse ' était le nombre d'ouverture pour les deux le stade précoce version et le film et a été rédigé par Barry Gibb (des Bee Gees). ' Summer Nights ' sont une chanson inhabituelle que son un duo, mais les Danny et Sandy sont placés séparément pour le théùtre et de cinéma. ' Nous Go Together ' agit comme une finale pour la comédie musicale et de ce trio de grandes chansons de graisse. Basics chorales a établi de nouvelles normes dans la publication de la chorale. Il offre le répertoire simple et enrichissante pour les chorales de débutant de tous ùges dans une éblouissante des styles de musiques du monde, spirituals, pop classiques, spectacle hits et piÚces originales. Chaque piÚce est examiné attentivement pour le niveau par l'éditeur consultant Alexander L'Estrange et propose des arrangements de 3-partie simples pour.../ Recueil / Choeur
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Nico Muhly: Choral Collection: Mixed Choir: Vocal Score
Choral
[Vocal Score]
St Rose Music Publishing
This exclusive collection brings together 12 of Nico Muhly?s sacred works for mi...
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This exclusive collection brings together 12 of Nico Muhly?s sacred works for mixed-voice choir. These vivacious fresh and dramatic pieces will make an impact whether in the church or in the concert hall and range from the intimate Lord keep us modest when we claim to the effervescent Bright Star Carol alongside service music such as Muhly?s Third Service. All are accessible to learn and offer choirs a new slant on contemporary choral music at its very best. 'Choral music has always been at the emotional core of my musical output. Even when I?m writing large-scale orchestral works (or indeed chamber music) I alwaysfind myself returning to techniques and textures I?ve greedily stolen from centuries of music from Tye to Howells early and recent. I try to design my own choral music primarily for use in worship where the measure of the success of the piece is if it helps guide the listeners? ears upwards and elsewhere as sacred architecture and the various rituals of the church themselves are meant to do. The specificity of music heard only in certain seasons is for me an important and thrilling element of the choral tradition: a Beethoven Symphony is welcome at any point in the year but an anthem for Candlemas works only then at a certain time of day and on a certain day of the year. With this functional spirit at the heart of the compositional process I hope that the music collected here makes equal sense in a concert setting. These works range from ordinaries of the mass to hymns to motets and represent a decade and a half of output.' - Nico Muhly
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Hector Berlioz: Les Troyens Hol. 133: Mixed Choir: Score
Choral
[Sheet music]
Barenreiter
Les Troyens - The Trojans: Opera in 5 Acts Berlioz composed Les Troyens towards ...
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Les Troyens - The Trojans: Opera in 5 Acts Berlioz composed Les Troyens towards the end of his life drawing on Virgil?s epic poem The Aeneid which he had admired since his childhood. In his Memoirs he recounts how his father a country doctor read Virgil to him and how the story of Dido?s tragic fate reduced him to tears which he tried hard to conceal. The score was finished in April 1858 but he was unable to persuade the Paris Opera to mount it (his earlier opera Benvenuto Cellini had been a failure there in 1838) and eventually he agreed to allow the last three acts to be performed under the title Les Troyens à Carthage. This took placeat the Théùtre-lyrique an enterprising but ill-equipped theatre in November 1863 and although it was much admired there were no more performances before Berlioz?s death in 1869. In the history of French music Les Troyens stand out as a grand opera that avoided the shallow glamour of Meyerbeer and Halévy but therefore paid the price of long neglect. In our own time the opera has finally come to be seen as one of the greatest operas of the 19th century. Urtext of the New Berlioz Edition Full score (BA5442) and vocal score (BA5442-90) available for sale Performance material (BA5442-72) available for hire
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Chorus Confidential: Mixed Choir a Cappella: Reference
Choral
[Sheet music]
Pavane Publishing
Decoding the Secrets of the Choral Art-(Decoding the Secrets of the Choral Art)....
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Decoding the Secrets of the Choral Art-(Decoding the Secrets of the Choral Art). Dr. William Dehning has been the head of the Choral Department at University of Southern California since 1992. His choirs have wowed audiences worldwide and at the ACDA National Convention. Employing his no-nonsense tone dry wit and deep passion he tells all that is good and all that should be changed in the world of choral conducting. Never has so much valuable information been included with so much personality. Laugh and learn with this spectacular book!
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Antonio Caldara: Stabat mater: Mixed Choir: Vocal Score
Choral
Barenreiter
Full score performance material and Vocal score available for sale.Suitable for...
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Full score performance material and Vocal score available for sale.Suitable for smaller-scale performances.Straightforward Piano reduction in the Vocal score.Antonio Caldara (1670 1736) is primarily known for his numerous oratorios and operas which brought him great popularity during his lifetime. Besides these large-scale compositions Caldara also wrote smaller Vocal works of which his ???Stabat Mater??? is the best known.This publication is based on Eusebius Mandyczewski???s edition of the ???Stabat Mater??? which has until now been the definitive edition. The notation and key signatures havebeen adapted to today???s standards. The effective instrumentation with two Trombones and Strings supports the solemn character of the work and enables smaller-scale performances.
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BĂ©la BartĂłk: Choral Works: Mixed Choir A Cappella: Vocal Score
Choral
EMB (Editio Musica Budapest)
Clothbound in Slipcase. Based on the BĂ©la BartĂłk Complete Critical Edition (Z....
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Clothbound in Slipcase. Based on the BĂ©la BartĂłk Complete Critical Edition (Z. 15009), these three cloth-bound volumes in slipcase include BartĂłk's complete choral works. The lyrics in this Urtext edition are in the original languages and in the translations authorized by the composer. Literal English translations are provided in the appendix, which also includes early and alternative versions of the works.The edition is complete with informative prefaces (in Hungarian, English, and German) and detailed Editorial Comments (in Hungarian and English). The Comments give an overview of the textual, folk-music, and compositional sources, and provide detailed information on the performance practice of BartĂłk's choral works. The edition has been printed on high-quality and environmentally-friendly paper.The three volumes are also available in paperback (Z. 20035, 20036, 20037). Separate editions of each work included in these volumes are also available.
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Reginald Spofforth: Hail Smiling Morn: SATB: Score
Choral
J. Curwen and Sons
Hail! Smiling Morn (Roud Index No 1346) was written by Reginald Spofforth in 181...
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Hail! Smiling Morn (Roud Index No 1346) was written by Reginald Spofforth in 1810. It has been described as the ?most popular glee in the entire repertoire? and remains a much loved concert item amongamateur choral groups all over the English-speaking world. It is presented here for SATB choir with a Piano reduction for accompaniment purposes. Reginald Spofforth (1769-1827) was a British composer organist andteacher. He wrote several dozen songs glees and hymns but no instrumental music. His music was performed at Covent Garden and successfully published during his lifetime but most of it has now been lost. Hail! SmilingMorn is undoubtedly his best known work.
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Johannes Brahms: Alt Rhapsody: Mixed Choir: Score
Choral
Dover Publications
Brahms's deeply moving Alto Rhapsody is one of the glories of the choral reperto...
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Brahms's deeply moving Alto Rhapsody is one of the glories of the choral repertoire. Though it was written as a wedding song for the daughter of his friend Clara Schumann, the work clearly seems a deeply personal one for Brahms. Perhaps, as some have suggested, a melancholy reflection on his own solitary life. This great concert favorite is based on portions of the text of Goethe's Harzreise im Winter (Winter Journey in the Harz Mountains), and set for alto solo, men's chorus, and orchestra. In addition to the Alto Rhapsody, this volume contains three other major Brahms choral works: the Song of Destiny, a setting of a poem by Hölderlin: NÀnie, a dirge for Brahms's friend Anselm Feuerbach, set to a text by Schiller: and Song of the Fates, set to passages from Act IV of Goethe's Iphigenie auf Tauris. All four works have been reprinted from the authoritative edition published by Breitkopf
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Carl Philipp Emanuel Bach: Magnificat Wq 215 (PA): SATB: Vocal Score
Choral
[Sheet music]
Barenreiter
Carl Philipp Emanuel Bach wrote his first great vocal composition the Magnifica...
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Carl Philipp Emanuel Bach wrote his first great vocal composition the Magnificat in 1749 at the age of 35. It bears all the earmarks of “audition music” i.e. a piece that organists and choir directors had to submit when applying for a new position. This feature is especially evident in its stylistic variety which makes the work a rewarding and colorful challenge for all church choirs. Special attractions are the work's contrapuntal passages which are very similiar in sound and structure to those of J. S. Bach’s B minor Mass. The present arrangement for soloists chorus and organ is intended as a self contained version accessible to a widerange of choirs even those with limited financial means. - Self contained version for soloists (SATB) chorus (SATB) and organ - Ideal for use in church and concert hall - Clear and well presented organ part - Duration: ca. 40 minutes The BĂ€renreiter CHOIR&ORGAN Series presents great choral works in arrangements for soloists choir and organ; no orchestra is needed. The original orchestral parts have been transcribed into straight-forward organ reductions whereby the contemporary tradition of such arrangements has been taken into consideration. In some cases the original organ version by the composer has been used. The Organ parts are presented on three staves. The choir and solo parts always remain true to the original. One edition can be used by soloists singers and Organist alike.
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European Folksongs For Mixed Voices
Choral
[Sheet music]
Carus Verlag
This new collection of folk songs - 'Laula kultani' (Finnish for 'Sing, my sweet...
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This new collection of folk songs - 'Laula kultani' (Finnish for 'Sing, my sweetheart') - offers choirs attractive literature to expand their repertoires and to perform concerts for many different occasions. The creative choral director has many possibilities for performing this music: thus instruments can be added, or - if there are difficulties due to pronouncing a foreign language - a small ensemble can sing the song, while the remainder of the choir hums the music in the background. The selected songs about themes of love and love's sorrow, dance, festival and celebration, are traditional folksongs which are well-known and popular in the countries of their origin. In puttingtogether this collection special emphasis has been placed on the musical quality of the settings. In addition to traditional settings, many songs in new arrangments by contemporary composers have been included. The settings range in difficulty from easy to moderately difficult. / Musique traditionnelle / RĂ©pertoire / Choeur
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MĂ„rten Jansson: In the Light of God: Mixed Choir: Vocal Score
Choral
[Sheet music]
Barenreiter
?I asked my friend the poet Einar Askestad if he could write a poem for me abo...
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?I asked my friend the poet Einar Askestad if he could write a poem for me about love between father and son brothers and God. I felt that these forms of love are seldom sung about. The poem moved me greatly and I have tried to put music to these words which is simple yet full of beauty. In the four movements of this suite-like piece various aspects of these relationships are conveyed?. - MĂ„rten JanssonBiography:My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings life consists of. This has led people todescribe my music as both ?so sad that it sounds like birds who have lost their wings? and ?the happiest classical music we ever heard?. I have also always preferred beautiful music to atonal music and that is surely the reason why the most part of my music is more on the sad side but what a dream it would be to be able to create beautiful music that?s bubbling over with joy! My compositions consist of almost only sacral music. This is to express my own faith but also my appreciation and respect for the timeless texts that have been used for centuries after centuries.In 1994 I was lucky enough to start conducting the female choir Carmen and I conducted them until we decided to disunite 2010. This is of course the biggest reason why most of my compositions are for female choirs the knowledge that what I write during the night will be tested the next evening is a driving force that not so many are lucky enough to have.I work as a voice music theory and conducting teacher and conductor in Uppsala were I was born -65 and still live. My education is in short: two years of musicology at Uppsala University and a MFA in Music Education and Dalcroize Rhythmics at the Royal Academy of Music in Stockholm.- Choral works a cappella.- Sample pages for download: www.baerenreiter.com.
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Heinrich SchĂŒtz: Sacred Choral Music SWV 369-380: Mixed Choir: Vocal Score
Choral
Barenreiter
The five-part motets Nos. 1-12-The Five-Part Motets Nos. 1-12 (SWV 369-380)Ref...
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The five-part motets Nos. 1-12-The Five-Part Motets Nos. 1-12 (SWV 369-380)Reflects the latest in musicological research based on the New Schutz Edition.Includes a detailed foreword (Eng/Ger) on performance practice by a Schutz expertInstrumental parts (Strings Winds) available in transpositions.In 1648 Heinrich Schutz published a collection of 29 motets with five to seven parts titled ?Geistliche Chor-Music? (Sacred Choir Music). Here the term ?Chor? (Choir) refers not only to a (large) Vocal ensemble but more generally to a group of musicians vocal or instrumental. As explained by Schutz in the foreword he published withthe collection all parts of the motets can be performed vocally and/or instrumentally.This practice common in Schutz?s time has been incorporated into BĂ€renreiter?s new publication. The edition includes the twelve five-part motets at original pitch with Basso Continuo. In addition instrumental parts for String and Wind instruments can be purchased. These parts which include the text serve to support and complement the choral sound ?colla parte?. To enable varying tone-colour possibilities instrumental parts are available in different transpositions.Of great significance is the detailed foreword on performance practice by Manfred Cordes.Manfred Cordes is a specialist for the music of the 16th and early 17th centuries. He works as professor for music theory counterpoint and ensemble and is also rector of the ?Hochschule fĂŒr KĂŒnste Bremen?. He performs internationally as the director of the ensemble ?Weser-Renaissance Bremen?.
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J. Forbes Alexander L'Estrange: You can sing but can you swing?: Mixed Choir:
Choral
Faber Music Limited
Talented duo Joanna Forbes L'Estrange (ex-Swingle Singers MD) and Alexander L'Es...
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Talented duo Joanna Forbes L'Estrange (ex-Swingle Singers MD) and Alexander L'Estrange (jazz musician and composer/arranger) have devised this series of jazz warm-ups designed to help choirs swing and sing light music styles more authentically and effectively. Getting into the groove has never been such fun! These warm ups are arranged for SATB with a straightforward (optional) piano accompaniment and form part of their hugely popular choral workshops of the same name.The piece is part of the Choral Basics series ideal for beginner choirs.
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David Bauguess: The Jenson Sight Singing Course (Vol. I): Mixed Choir: Vocal
Choral
Hal Leonard
Part Exercises-Part Exercises. This supplemental volume of part exercises follow...
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Part Exercises-Part Exercises. This supplemental volume of part exercises follows the sequence of The Jenson Sight Singing Course but can be used in conjunction with any sight singing method. It has been compiled to provide choral directors with graded material in parts for use with choral ensembles and consists of predominantly 4-part exercises along with rounds 2-part and 3-part exercises. Ranges allow for flexibility in voicing for various groups. Available in the Jenson Sight Singing Course: Teacher's Edition Vol.I
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MĂ„rten Jansson: Fear Thou Not: Upper Voices: Vocal Score
Choral
Barenreiter
English-'My music is my own and I have never tried to be original. That has alwa...
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English-'My music is my own and I have never tried to be original. That has always been my motto and I have only tried to use music to express all the feelings which life has to offer. This has led people to describe my music as ?so sad that it sounds like birds who have lost their wings? but also as ?the happiest classical music that we have ever heard?. My compositions are almost all sacred. They express not only my own faith but also my appreciation and respect for the timeless texts that have been used for centuries and centuries.' - MÄrten JanssonMÄrten Jansson (b. 1965) elected member of the Föreningen svenska tonsÀttare (the Societyof Swedish Composers) graduated from the Royal College of Music Stockholm (KHM) with an MFA degree in Music Education Dalcroze Eurhythmics and Voice. For more than ten years he was the music director and conductor of Carmen one of the most prominent womens? Vocal ensembles in Sweden. He currently teaches Choral conducting and music theory as well as giving Vocal tuition at the Bolandgymnasiet and Musikskolan in his home town of Uppsala.Fear Thou Not was commissioned by the Swedish women's vocal ensemble Les Jolies (gold medalists in 2002 Choir Olympics. The piece depicts how man can change from doubting to believing led by the Father?s voice which both comforts and admonishes.
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Ottorino Respighi: Shepherd's Chorus (Contenti n'andremo): Mixed Choir: Vocal
Choral
Ricordi
The publication of this madrigal-like chorus marks the first time a separate oct...
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The publication of this madrigal-like chorus marks the first time a separate octavo from Ottorino Respighi's (1879-1936) Laud to the Nativity has been made available. Dance with the shepherds as they go to Bethlehem in thissprightly piece whose rhythms and harmonies evoke the spirit of the Renaissance. The original Italian text and an English singing text make this a versatile addition to the choral library of churches and schools.
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Franz Joseph Haydn: Missa Brevis St Joannis De Deo - Little Organ Mass: Upper
Choral
[Sheet music]
-
Intermediate
Barenreiter
Frauenchor-For performance material on sale use regular 4-part edition BA4653.A...
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Frauenchor-For performance material on sale use regular 4-part edition BA4653.Arrangement for SMezAA based on the Henle Complete Edition of the Works of Joseph Haydn.Idiomatic Piano reduction.Haydn presumably wrote his Missa brevis in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname the ĂąÂÂLittle Organ Massù from the Organ solo in the Benedictus. This arrangement for female choir (SMezAA) is based on the complete edition of the Works of Joseph Haydn.The original soprano and alto parts have for the most part been taken over as has the soprano solo in the Benedictus. The tenor and bass parts are distributed among themezzo-sopranos and altos with a few well thought-out alterations to preserve the harmonic structure. Heribert Breuer has retained the original substance with great skill while giving the work a wholly new and attractive sound.Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and conductor of the Berlin Bach Academy.
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Klaus Heizmann: 200 Einsing Ăbungen: Vocal Tutor
Deutsch
Choral
[Sheet music]
Schott
Which singer or choral conductor has not on occasion been stuck for new ideas fo...
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Which singer or choral conductor has not on occasion been stuck for new ideas for warming up?Here are 200 ideas! With notes on posture limbering up etc.
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Missa Brevis St. Joannis De Deo Hob. XXII:7 'Kleine Orgelmesse' (HAYDN FRANZ JOSEF)
Choral
[Sheet music]
Barenreiter
Frauenchor. Par HAYDN FRANZ JOSEF. Haydn presumably wrote his 'Missa brevis in...
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Frauenchor. Par HAYDN FRANZ JOSEF. Haydn presumably wrote his 'Missa brevis in 1775 for the Brothers Hospitallers of Eisenstadt Abbey. The work takes its nickname, the 'Little Organ Mass', from the organ solo in the 'BenedictusÂ. This arrangement for female choir (SMezAA) is based on the complete edition of the 'Works of Joseph HaydnÂ. The original soprano and alto parts have, for the most part, been taken over, as has the soprano solo in the 'BenedictusÂ. The tenor and bass parts are distributed among the mezzo-sopranos and altos, with a few well thought-out alterations to preserve the harmonic structure. Heribert Breuer has retained the original substance with great skill while giving the work a wholly new and attractive sound. Heribert Breuer was professor of choral conducting and music theory at Berlin University of the Arts until 2010. He is the founder and conductor of the Berlin Bach Academy. - Arrangement for SMezAA based on the Henle Complete Edition of the Works of 'Joseph Haydn - Idiomatic piano reduction (BA 5694-90)/ RĂ©pertoire / Piano
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Antonio Vivaldi: Gloria RV 589: Men's Choir: Vocal Score
Choral
[Vocal Score]
Ricordi
Vivaldi's Gloria along with The Four Seasons is one of his best-known works a...
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Vivaldi's Gloria along with The Four Seasons is one of his best-known works and is very popular among the repertoire of sacred choral works. This Vocal Score has been thoroughly edited by Alfredo Casella with piano reduction by Maffeo Zanon and an English translation of the Latin text by Joseph Machlis.
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Steal Away - Were You There?: Men's Voices: Vocal Work
Choral
[Sheet music]
Edwin Ashdown
These two spirituals -- Steal Away and Were You There? -- have become staples in...
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These two spirituals -- Steal Away and Were You There? -- have become staples in the gospel repertoire and have been skillfully and sensitively combined into a quodlibet for male Voices with Piano accompaniment. Twentieth centuryEnglish Organist Hazel Hudson has published many of these combinations of separate tunes into one work as well as works for student musicians and arrangements of religious music.The work is of intermediate difficulty and is anappealing piece for Choral programmes.
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