Histoire Du Tango is an exciting and lively work composed by Astor Piazzolla and has been transcribed and arranged for Soprano Saxophone with Piano Accompaniment by Ken-ichiro Isoda and Nobuya Sugawa. This piece willprovide an enjoyable challenge for the accomplished saxophonist and pianist alike.This work is divided into four movements subtitled: Bordel 1900; Cafe 1930; Night-Club 1960; and Concert d'Aujourd'hui. For ABRSMexams.

I Can't Get No Satisfaction' - the release of this international hit of the Rolling Stones was the official birth of rock music which started its loud and hard triumph in the clubs and stadiums of the world. The fact that the Stones and their wild heirs can also write beautiful ballads is proven by our successful author Dirko Juchem with this new volume in the popular 'Saxophone Lounge' series in which he has arranged a selection of the best known rock melodies in a new and surprisingly lounge-like manner. All fresh and easily playable arrangements on the accompanying CD have been performed by the author himself. / Saxophone Tenor Et Piano

Also available for Alto (SP827). Songs for Claire is intended to portray a life journey with all the joys and trials that may be encountered. From a personal point of view it was written in memory of my childhood best friend Claire who sadly died of cancer aged 10. I think most people will be able to relate to the moods of the three movements and draw from their ownlife experiences in order to create the expression desired.Living Life begins with a pure and innocent piano introduction where life twinkles into being. The performers should aim for a sweetness and pure innocence. At this stage there have been no challenges and trials. Try to see this through theeyes of a child. At bar 71 we should be able to soar with the sheer exuberance and joy of life. Themood begins to take a downward turn via the piano there after bar 91. This is where situations begin to take a turn for the worse with much more agitation and a darker emotion takes over.Troubled Times now takes us onto a road that we would prefer not to be on everything should be quite agitated and restless. I had a strong feeling in this movement that it should show a battle of wills within; trying to stay positive (the sweeter timbral trills) and trying to fight the ever nagging negative thoughts. Performers should feel able to release fully where the score is marked 'desperately' because these are the cries of one who is struggling to keep fighting. At letter E the pianist should play almost with anger with strong stress to accented notes. At letter H the timbral trills stop abruptly and this indicates that the struggle is over if you imagine a heart monitoring machine that suddenly gives out is length monotone indicating the end of life. The rest of the movement relaxesinto the peace of the final movement.Flying Free is similar in feel to Living Life. You will see that the initial theme is reversed. In the first movement we see the theme very introverted probably as we often look inwards in life. In