Medley-A selection of the Bee Gees greatest hits arranged by Ronald Kauffmann in a medley for SATB choir with Piano accompaniment.

Fantasy on the canon Freu' dich des Lebens. Par SPARKE PHILIP. Partitions pour Choeur à quatre voix (SATB) - 25 ex. L’année 2008 marque le 400e anniversaire de la fondation de la ville de Québec (1608-2008) au Canada. Pour célébrer cet événement, la Musique des Voltigeurs de Québec, une unité d’infanterie de la force terrestre des Forces canadiennes, a fait appel au compositeur Philip Sparke pour l’écriture de deux oeuvres de concert (disponibles sur un compact disc édité spécialement pour cette occasion). Philip Sparke a composé Sounds of the Saint Lawrence (Échos du Saint-Laurent), une suite de chants traditionnels québécois, et cette fantaisie libre sur le canon Freu’ dich des Lebens de Ludwig van Beethoven. L’histoire de ce canon est absolument fascinante. En 1822, Théodore Frédéric Molt, un professeur, auteur, pianiste et organiste allemand - ancien soldat dans l'armée napoléonienne ayant combattu à Waterloo - arrive à Québec. En 1825, il retourne en Europe afin de parfaire sa formation. Au cours de son séjour, il rend visite à Beethoven. Quelques jours plus tard, il fait parvenir une lettre au compositeur sourd en incluant une feuille blanche sur laquelle il lui demande d'écrire « du fond de son grand coeur » un souvenir « qui restera pour moi, à une distance qu'il me faudra presque 3000 heures pour parcourir, un document éternellement précieux. »Beethoven accepte et, le 16 décembre 1825 (jour de ses cinquante-cinq ans), il présente à Théodore Molt le canon Freu’ dich des Lebens Le manuscrit est actuellement conservé dans une collection canadienne. Beethoven’s Greeting (“La signature de Beethoven”) débute avec une introduction lente basée sur le canon. S’ensuit un Vivo qui sera repris ultérieurement sous la forme d’un déchant à la mélodie du canon. Le thème du canon est chanté par le choeur à quatre voix (SATB) optionnel (AMP 243-050), mais la mélodie est également présente dans l’orchestration. / Niveau : 4 / Pièce de concert / Recueil / SATB

Beethoven's first major choral work the oratorio Christus Am Oelberge (The Mount Of Olives) was written in early 1803. The work is not performed as a whole very often in modern times but this final chorus called the Chorus Of Angels has been published separately many times and has rivaled even Handel's Hallelujah Chorus from the Messiah in popularity over the years. This edition edited by Walter Collins includes both German and English text the pitch level and rhythmic values are original. This choral masterwork allows a mature chorus to really shine!

This barbershop-esque setting of Bristol-born author Charlotte Cory's text is for SATB Choir and two Speakers (one male one female). This cheerful work has been recorded by the BBC Singers with speakers Eleanor Bron andThe Archers actor Charles Collingwood.

with Joyful Joyful We Adore Thee-This exciting and upbeat a cappella version of the traditional spiritual Mary Had A Baby has been combined with Beethoven's ever-popular tune from the Ninth Symphony Joyful Joyful We Adore Thee. New seasonal lyrics for the Beethoven will be perfect for any winter concert! SATB version.

Vocal score for Beethoven's Mass In D 'Missa Solemnis' Op.123 composed for SATB with Piano accompaniment.

Set for a cappella voices for both men's and mixed choirs this absolutely inspiring choral captures the genius of Beethoven's work through vocal range style and drama as well as a lot of humor with solo opportunities. Challenging and rewarding! Set for a cappella voices for both men's and mixed choirs this absolutely inspiring choral captures the genius of Beethoven's work through vocal range style and drama as well as a lot of humor with solo opportunities. Challenging and rewarding!

The final section of Beethoven's Choral Fantasia with English words by Robert Elkin. For SSATB with piano accompaniment.

Marty Parks knows how to make a modern song like this work for choir and he's done it again with this song by Steve Fee and Vicky Beeching. Available separately: SATB ChoirTrax CD. Duration: ca. 3:30.

Beethoven's Mass In C was commissioned by Prince Nikolaus Esterhazy for the name-day of his wife Princess Maria and was first performed on 13 September 1807. Beethoven's setting continues the series of six great Masses composed by Haydn in previous years for the same occasion.Available here is a revised Vocal Score edition by Michael Pilkington for SATB Soli Choir and Piano accompaniment.

My Soul's Been Anchored In The Lord is a wonderful traditional Spiritual which has been arranged by Moses Hogan for SATB (Divisi) a cappella.

As the new house composer at the Theater an der Wien Beethoven had an opportunity to perform an oratorio during Passiontide in 1803. In a very short space of time he drew up his one and only work for this genre. It dealswith Christ's suffering and prayer in the garden of Gethsemane until he is taken prisoner.Following the première the publisher of the first edition who disliked the 'operatic' libretto by Franz Xaver Huber had anunauthorized revision of the texts undertaken. Although Beethoven resisted and demanded that it should be changed back to the original this new version spread throughout the world.This Urtext edition presents the workwith the original libretto that Beethoven set to music and following the text in the Beethoven Complete Edition.

Beethoven's magnum opus for SATB soli and chorus with piano reduction of the orchestral score. Revised by Michael Pilkington