Francais/Anglais-Don Quichotte is a comedy in five acts by Henri Cain after “Le Lorrain” with a music by J. Massenet. This special edition features pictures of the Monte Carlo theatre in 1910 texts in French and music for Piano and Voice with French lyrics. The comedy lasts approximately 1 hour 10 minutes in total. The five acts depict the heroic story of Don Quixote de la Mancha: Act 1: A public square (Une place publique) Act 2: The windmills (Les moulins) Act 3: In the Sierra (Dans la Sierra) Act 4: The patio of the beautiful lady (Le patio de la belle Dulcinée) Act 5: DonQuixote’s Death (La mort de Don Quichotte) This comedy was well-acclaimed when first played in Monte Carlo. It was then taken to Paris to be played at the Theatre of the Gaîeté Lyrique. J. Massenet wrote thirty famous operas which include 'Werther' and 'Thais' also edited as special collection by Alphonse Leduc.

Chant et piano / Avec son Tra-La-La (Lopez, Francis) C'est Merveilleux (Monnot, Marguerite Theme de Borsalino (Bolling, Claude) Calling You (Telson, Bob) La Chanson de Lara (Jarre, Maurice) Can You Feel The Love Tonight (John, Elton) Chi Mai (Morricone, Ennio) La Complainte Des Infideles (Van Parys, Georges) La Danse De Zorba (Theodorakis, Mikis) Exodus (Gold, Ernest) Deux Petits Chaussons (Chaplin, Charlie) Les Enfants Du Piree (Hadjidakis, Manos) Ete 42 (Legrand, Michel) Gelsomina (Rota, Nino) Le Grisbi (Wiener, Jean) Il Etait Une Fois Dans L'Ouest (Morricone, Ennio) Jeux Interdits (Anonyme) Ignace (Dumas, Roger) Les Lavandieres Du Portugal (Popp, André) Maria (Bernstein, Leonard) New York, New York (Kander, John) Les Moulins De Mon Coeur (Legrand, Michel) Parle Plus Bas (Rota, Nino) Si Toi Aussi Tu M'Abandonnes (Tiomkin, Dimitri) Singin'In The Rain (Brown, Nacio Herb) The Entertainer (Joplin, Scott) Le Troisieme Homme (Karas, Anton) The Pink Panther (Mancini, Henry) Un Ano De Amor (Ferrer, Nino) Une Histoire D'Amour (Lai, Francis) / Facile (debutant)

Voix grave-“Song to Ladylove” is the second volume of the Don Quixote songs a set of four songs by Jacques Ibert. Written for Voice and Piano on a poem by Alexandra Arnoux it features two verses and a chorus. The lyrics in French are about love and the chorus explains that a day is like a year when you can’t see your lover. The song could be played and sung by intermediate musician. The full series features: 1. Chanson du depart de Don Quichotte / Song for Don Quixotte’s departure 2. Chanson à Dulcinée / Song to Ladylove 3. Chanson du Duc / Duke’s song 4. Chanson dela mort de Don Quixotte / Song for Don Quixotte’s death Jacques Ibert (1890-1962) also composed many symphonic suites operas and seven orchestras including 'Angelique' (1926) and 'Divertissement' (1930). He also was in charge of the Accadémie de France in the Villa Médicis (Roma) and was later administrator for the Paris Opera.

Voix grave-Jacques Ibert (1890-1962) studied at the Paris Conservatoire before embarking upon a successful composing career. The film Don Quichotte increased his popularity when he composed the musical score in 1933. Controversially the producers of Don Quichotte asked five composers separately to compose songs for the film. Each composer thought only he had been approached and when Ibert's music was eventually chosen for the film it caused him some embarrassment as Maurice Ravel who had also been approached was a close friend of his. Song of Departure comes toward the beginning of the film sung by thethe main character Don Quichotte. Addressing a variety of musical aspects and techniques Ibert's Song of Departure is a challenging yet evocative addition to the Bass repertoire.

He's handsome cunning and utterly merciless. Don Giovanni's lustful desires have left a trail of heartbreak and shattered dreams; but in the wake of a life lived to excess and devoid of honour his day of reckoning finally approaches ... pursued by those he has wronged he is soon to discover the awful consequences of his actions (Opera Queensland review Aug 2003) The premiere of Don Giovanni took place to great public and critical acclaim in Prague on October 29 1787. The Opera is in two acts with a libretto by Lorenzo Da Ponte based on the play by Tirso De Molina. The English version is by W.H. Auden and Chester Kallman.

A selection of twelve songs that bridge a unique gap between the art-song and the popular-song by Landon Ronald. The texts include writings by Harold Simpson Keats Yeats Shelley and Matthew Arnold and the anothology is suitable for a variety of voices male or female.

Vocal Selections-The original Tony-nominated version of this Neil Simon play starred Sid Caesar and the 1998 revival won a Tony for Martin Short who took over the lead role. Our folio features a dozen highlights from the show: Deep Down Inside · Dimples · Don't Ask the Lady What the Lady Did Before · Here's to Us · I Wanna Be Yours · I've Got Your Number · Le Grand Boom Boom · Little Me · On the Other Side of the Tracks · Poor Little Hollywood Star · Real Live Girl · To Be a Performer. All songs are in standard piano/vocal format with the melody in the piano part.

For aspiring and professional singers who love Broadway, Alfred's Singer's Library of Musical Theatre presents an elegant collection of the best-loved musical theatre songs in their original keys, authentically transcribed from their original vocal scores. Perfect for study, and equally suitable for the most important auditions and performances, each volume is dedicated to a specific vocal range, and contains dozens of songs from a variety of shows that span decades of theatre history. Multiple volumes are available for each of four vocal ranges: Soprano, Mezzo-Soprano/Alto, Tenor, and Baritone/Bass. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make it the most useful and relevant song library of its kind. Titles: My Own Best Friend (Chicago) * Back on Base (Closer Than Ever) * That Mister Man of Mine (Dames At Sea) * A Little Brains, A Little Talent (Damn Yankees) * Something of My Own (Dessa Rose) * Ladies (Destry Rides Again) * I Know the Truth (Elton John and Tim Rice's 'Aida') * Holding to the Ground (Falsettos) * Think of Meryl Streep (Fame: The Musical) * A Little Girl From Little Rock (Gentlemen Prefer Blondes) * Lazy Afternoon (The Golden Apple) * What Is a Woman? I Do, I Do) * Old Friend (I'm Getting My Act Together and Taking It on the Road) * Last Midnight (Into The Woods) * Moments in the Woods (Into The Woods) * Somewhere That's Green (Little hop of Horrors) * West End Avenue (The Magic Show) * Tell Me Why (A Man of No Importance) * Take It on the Chin (Me and My Girl) * Like It Was (Merrily We Roll Along) * The Music Still Plays On A New Brain) * Mad About the Boy (Oh! Coward) * It's a Fine Life (Oliver!) * How Can I Wait? (Paint Your Wagon) * Zip (Pal Joey) * My Cousin in Milwaukee (Pardon My Eng / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano