Die Virtuose Tafelmusik Von Don Juanquijote-Don Juanquijoten Virtuoosinen Pöytämusiikki (also known as Die Virtuose Tafelmusik Von Don Juanquijote) by Aulis Sallinen was written in celebration of the 70th birthday of Arto Noras and first performed on 12 May 2012 by Arto Noras and Ralf Gothòni in the Helsinki Music Centre.Includes Piano (or Accordion) score with both Cello and Viola parts.

Easy Solo Cello and Piano-A collection of 12 traditional carols for easy cello (Grade 2) and piano accompaniment from master arranger Bruce Healey. This group of delightful arrangements will become your most valuable resource of holiday music for years tocome. Each carol is given a fresh creative treatment yet is expertly arranged with younger players in mind. Songs include: Away in a Manger ? We Wish You a Merry Christmas ? Deck the Halls ? Ding Dong Merrily onHigh ? God Rest Ye Merry Gentlemen ? Greensleeves ? O Come All Ye Faithful ? Chanukah Oy Chanukah ? O Holy Night ? Pat-A-Pan ? Silent Night ? Three Holiday Songs (Medley including TheDreydl Song Jingle Bells and Joy to the World).Also available for:00841986 Solo Violin and Piano 00842194 Solo Viola and Piano 04490404 String Quartet String Orchestra:? 04490308 Conductor Score ? 04490309 Violin 1 part ? 04490310 Violin 2 part ? 04490311 Violin 3 part (Viola T.C.) ? 04490312 Viola part ? 04490313Cello part ? 04490314 String Bass part ? 04490315 Piano ? 04490316 Opt. Harp ? 04490317 Opt. Percussion

Invocation was composed in 1911 and first performed on May 2nd of that year in the Queen's Hall London by May Mukle with the New Symphony Orchestra conducted by Landon Ronald. The work received several performances with Piano accompaniment before 1914 but with the public success of The Planets it became one of many works that Holst never had time to revise or publish. A certain amount of editing of dynamics and phrasing has been necessary and the Piano reduction has occasionally been slightly adjusted to match the orchestral accompaniment more closely. The separate Cello part has been edited by Julian Lloyd-Webber.

Cello World is a must for all Cellists. It is a wonderful collection of original works and arrangements from the repertoire of world-famous Cellist Steven Isserlis. The inspired line up of pieces includes Schumann's moving Intermezzo Leonard's The Donkey And The Driver and Villa-Lobo's rippling Song Of The Black Swan. This is the perfect volume for cellists looking for a variety of challenging repertoire.

Original Version - Edition for Cello and Piano. Schumann?s Cello Concerto Rediscovered. In her first Urtext edition for Edition Peters, internationally renowned cellist Josephine Knight reveals Robert Schumann?s original version of his Cello Concerto in A minor Op. 129 ? a piece he actually called a ?ConcertstĂĽck? ? removing generations of inauthentic editorial interventions. This is the only available modern scholarly edition of the work as Schumann originally conceived it, and restores the text from October 1850, based on the composer?s manuscript held in the Biblioteka Jagiello?ska in KrakĂłw. It is presented in a beautifully printed edition for cello with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. Only modern Urtext edition based on Schumann?s original 1850 manuscript Many new corrections and clarifications, especially to the cello part Scholarly preface detailing history of the work and this edition by editor Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music London Cello Part contains Josephine Knight's fingering and bowing suggestions Critical Commentary Matching orchestral material available separately from Edition Peters Recording of the ConcertstĂĽck featuring Josephine Knight available from Dutton Robert Schumann?s tragic last years have mired many of his greatest works in unnecessary doubt. The story of the suppression of his Violin Concerto by well-meaning friends is relatively well-known. Few, however, know that the version of the Cello Concerto that is routinely heard today is so far from Schumann?s original conception of the work ? not only in details of phrasing and articulation, but also featuring a different ending with a bold final flourish from the cello. Composed in a burst of inspiration in two weeks in October 1850 shortly after he and Clara had moved to DĂĽsseldorf, Schumann (who in 1850 was still in good health) never heard the piece performed. In an effort to promote a performance of the work, he gave the score to the cellist Robert Emil BockmĂĽhl. BockmĂĽhl made revisions that Schumann resisted, and the hoped-for performance never happened. Schumann?s health failed and he died aged just 46 in 1856. The Concerto, in an already substantially revised form, was premiered in 1860 but it was not given significant recognition until it was championed by Pablo Casals in the 20th century by which time (and since) the text for the work had accreted additions and alterations from generations of soloists. Now Josephine Knight, Piatti Professor of Cello at the Royal Academy of Music, London has returned to the original 1850 manuscript of the work, which is in the Biblioteka Jagiello?ska in KrakĂłw, to reveal Schumann?s original thoughts for the first time in a modern Urtext edition. The edition reflects Schumann?s original conception of the work as a ConcertstĂĽck and restores Schumann?s musical text, free of posthumous interventions. It is presented in a beautifully printed edition for cello, with Schumann?s original piano reduction. Matching orchestral material is also available from the publisher. ?My ultimate wish,? says the editor, ?is to give performers both access to, and confidence that they are playing from, an edition which is a true representation of the piece in its original form, no matter how much more difficult this might be. I found that incorporating the changes enabled the piece to take on a completely different character ? one that is lighter and happier, even ?cheerful?, as Schumann himself described the work.?

Saint-Saens' life-long admiration of the cello led to some of his finest compositions. This edition by celebrated cellist Steven Isserlis and Saint-Saens scholar Sabina Teller Ratner brings together a collection as varied as it is appealing for Solo Cello with Piano Accompaniment. This volume includes some of Saint-Saens' best-loved pieces such as Allegro Appasionato and Le Cygne alongside his previously unpublished Gavotte.Primary sources have been consulted in preparation of the edition which includes performance notes by Steven Isserlis and an informative introduction.The solo cello part is also includedon a separate insert.

Par CUI CESAR. Orientale du compositeur et critique musical russe César Cui (1835?1918) est tirée du cycle Kaleidoscope, un recueil de 24 miniatures pour violon et piano. La pièce était arrangée pour de nombreuses instrumentations, dont l'arrangement pour violoncelle est un des plus populaires. Exerçant un charme oriental ? non seulement par la mélodie, mais aussi par le rythme ?, cette miniature est un bis populaire, notamment à cause de sa brièveté. Estelle Revaz, violoncelliste de concert et pédagogue, a remanié l'?uvre, en ajoutant des indications pour les cours de violoncelle modernes qui doivent faciliter l'enseignement et donnent des suggestions pour la propre interprétation de l'élève. L'édition fait partie de la série Schott Student Edition pour l'enseignement qui englobe un large répertoire réparti en 5 niveaux de difficulté, de facile à difficile. Chaque édition fournit des indications utiles par des pédagogues expérimentés, ainsi devenant un ajout précieux à des cours de musique modernes. Toutes les éditions de la série sont disponibles sous forme d'édition imprimée ou d'édition numérique en téléchargement (pdf). L'accompagnement de piano de beaucoup d'ouvrages est disponible comme version playback (téléchargement mp3). / Niveau : moyen / Date parution : 2022-02-15/ Répertoire / Violoncelle et Piano

Faintaisie-transcription de Giuseppe Gariboldi-La Danse macabre est l?une des ?uvres parmi les plus c?l?bres de Camille Saint-Sa?ns et du r?pertoire symphonique fran?ais en g?n?ral. D?s sa cr?ation le 24 janvier 1875 l??uvre s??tablit durablement comme un incontournable succ?s. Lestranscripteurs-souvent de grands noms-s?emparent bient?t de cette Danse et les versions pour instruments divers se multiplient. C?est ? Giuseppe Gariboldi (1833-1905) fl?tiste virtuose et compositeur d?origine italienne install? ? Paris queDurand demande une multiple transcription de l??uvre r?invent?e par le transcripteur pour fl?te ou cornet ? piston ou violon ou violoncelle et piano. Voici donc ici republi?e cette Fantaisie-transcription- ainsi qu?elle fut originellementsous-titr?e-dans sa version pour violoncelle et piano.

This volume from the popular 'Cellissimo' series contains 37 popular recital pieces from classical to pop music. It is suitable for lessons, performances and competitions. As there is little literature for the cello in jazz and pop style, this volume has a special focus on modern styles such as blues, jazz, pop, rock, funk, folk, Latin, or tango. The selection motivates and introduces to playing techniques of pop music (slide, hard chop etc). Many pieces can be played in the 1st - 4th position, while some also use harmonics or the 5th - 7th position. Entertaining music has existed at all times, so the volume also contains arrangements of popular classics: 'Eine kleine Nachtmusik' by Mozart, 'An der schönen blauen Donau' by Johann Strauß, 'Pomp and Circumstance' by Edward Elgar, or 'The Entertainer' by Scott Joplin. The motivational package for cello lessons!/ Recueil / Violoncelle et Piano

La référence FP 018 de l'éditeur Fertile Plaine dont l'auteur célèbre est Franck P., qui a pour titre Celli-Cello ( violoncelle et piano ), a été écrite et composée pour Violoncelle et plus particulièrement pour Violoncelle Et Piano. Cette partition musicale appartient à la catégorie Classique. / Violoncelle Et Piano / Partition

The Piano Guys' 2014 release debuted at the top of the New Age albums chart and also topped the Classical Albums Classical Crossover Albums and Internet Albums charts and took them into the top 12 on the Billboard 200 for the first time.Their arrangement of Let It Go (from Disney’s Frozen) from this album has received over 37 million views on Youtube.Wonders features 14 more of their unique and creative arrangements.This book features Piano arrangements with separate pull-out Cello part.The Piano Guys are on tour in the UK (Birmingham Nottingham Manchester Edinburgh and London) and Europe (Paris) in June2015.

After Colonna was expertly composed in 2001 by Sadie Harrison. First performed at Hampstead Town hall in March 2001 by Miriam Lowbury and David Carhart. AfterColonna later featured on Harrison’s 2002 album No Title Required.Australian born freelance composer and performe Sadie Harrison’s unique fusion of elements fromindigenous Lithuanian music and poetry with her own modernist often abrasive style have led her to be compared with Bartok but with her own warmth and grandeur. Since 2012 Harrison has been working alongside a long list of well accomplished musicians; Paul Carey Peter Sheppard Skaerved Sergej Okrushko Alex South Duncan Honeybourne are among many who have had the privilege to work with Harrison sofar. Performances of Harrison's works have been given across the world by Lontano London Chamber Symphony Music Projects/ London Ixion Okeanos Bournemouth Sinfonietta Kokoro and the St. Christopherus ChamberOrchestra and many others.

The glamorous world of the musical has a unique and irresistable appeal. Everyone wants to sing or play Songs from the Shows. Here are 10 great hits from the best of Broadway and London's West End. These famous songs by the world's finest show writers are arranged for Cello with Piano Accompaniment.