La partition CHORAL ET VARIATIONS SUR LE NOM DE TONY AUBIN de Dondeyne Désiré a été composée pour Musique de Chambre et plus particulièrement pour 4 Clarinettes Et Quatuors De Clarinettes. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / 4 Clarinettes Et Quatuors De Clarinettes / Partition

La partition DOUBLE-FUGUE de Dondeyne Désiré a été composée pour Musique de Chambre et plus particulièrement pour 4 Clarinettes Et Quatuors De Clarinettes. Cette partition musicale est éditée par une des nombreuses maisons d'édition française à savoir Billaudot. Cette oeuvre musicale fait partie intégrante des oeuvres de style Classique. / 4 Clarinettes Et Quatuors De Clarinettes / Partition

Veni Emmanuel - Il est né - Ding Dong! - Nu zijt wellekome - Gloria in excelsis - In dulci jubilo-A Christmas Collage is a selection of internationally known Christmas songs. The following songs are included either in their entirety or as extracts: Veni Emmanuel Il est né le divin enfant Ding Dong! Merrily on High Nu zijt wellekome Gloria in excelsis Deo and In dulci jubilo. The instrumentation is for three Bb clarinets and a bass clarinet.

Written for four Bb clarinets this is an astounding piece: a strict 'jazz canon' written by this household name of the London West End scene. Includes ossia to allow the virtuosi amongst us to shine through while not deterring grade 5 players.

From The Planets-Jupiter Hymn est un arrangement délicieusement accessible du quatrième mouvement extrait du poème symphonique en sept mouvements The Planets (Les Planètes) de Gustave Holst : Jupiter the Bringer of Jollity (Jupiter celui qui apporte la gaieté). Holst s?inspira de notre système solaire lorsqu?il composa cette suite l?une de ses ?uvres les plus connues donnant à chacun des mouvements sa propre couleur. Holst écrivit Les Planètes au début du XXe siècle employant une certaine signature alors inhabituelle (mesures à 5/4) faisant appel à de nombreuses dissonances et une instrumentation atypique.

Par CIESLA ALEXIS. Tarnov Suite, pour quatuor de clarinettes, est une composition originale fortement imprégnée de l’esprit des musiques klezmer. Cette pièce se compose d’une introduction en forme de Doïna, suivie d’une valse mêlant humour et nostalgie et se concluant brillamment par une danse tendre et festive à la fois. / Niveau : Avancé / score and parts / Répertoire / 4 Clarinettes (3 Clarinettes en Sib et Bass Clarin

Toccata, Adagio e Fuga per quartetto di clarinetti. Par CALLIGARIS SERGIO. Sergio Calligaris was born in Rosario (1941), Argentina. He is one of the last musicians to incarnate the traditional 19th century figure of pianist, teacher and composer, inaugurated at the beginning of the 19th century by Muzio Clementi and carriedon after that by a sequence of famous names that the history of music has handed down to us. As a pianist, he began to give public performances at the age of 13, making his debut in his home town Rosario. Following this success, he embarked upon an extremely busy career as a soloist, giving numerous recitals in Buenos Aires and other citiesin Argentina. He continued to take advanced lessons with eminent exponents of the most prestigious international piano schools. In 1974 he became an Italian citizen and settled in Rome, teaching piano as principal instrument at the S. Pietro a Majella StateConservatory in Naples, the Luisa DAnnunzio Conservatory in Pescara and the Alfredo Casella Conservatory in Aquila. As a composer, he began - at just 9 years of age - to study in the rigorous school of Paul Hindemith, under the guidance of Father Luis Machado, from whom he inherited a love of counterpoint and a strong taste for harmony. He took a diploma incomposition, counterpoint and fugue at the age of 16 at the Amigos del Arte Society in Rosario, going on in 1964 to do an advanced course in 12-tone counterpoint at the Cleveland Institute of Music. The catalogue of his compositions, which has nowreached Op. 55, encompasses a huge range of instrumental/vocal chamber music and symphonic works: a vast and articulated catalogue, in which Sergio Calligaris’s composition expresses its inspiration through the dramatic development of a dialecticalcontrast between the two natures of the composer’s personality - the elegiac and the dithyrambic - which confront and interact with each other giving rise to artistic outcomes of a deeply moving nature. / Niveau : Intermédiaire / Date parution : 1905-06-17/ Répertoire / 4 Clarinettes

Melodic charm bel canto sensibility impressionist harmony Ă  la Française and jazz rhythm influences unite in this quartet for three B-flat Clarinets and Bass Clarinet. Yellow Green was premiered on July 23rd 2013 at the Teatro Municipal de NiterĂłi (Rio de Janeiro) by the musicians of the Omega Quartet: MaurĂ­cio Silva Deusiel da Cunha de Souza Diego Abreu and Mateus Falkemback (bass clarinet).    Approximately 9 minutes in length the title – Yellow Green – is a tribute to the two colours of the Brazilian flag. The introduction gives way to a vast Fugue (marked Vivace)dipped in the colours of swing. The central Adagio floats a dreamy timeless melody. The brief finale brings together the fugue’s thematic material with one last recommendation for the performers: “Feel jazz”. This invigorating work was recorded for the Chant de Linos label by its dedicatees the Omega Quartet clarinetists.