Born in 1876 in Cadiz, the historical seaport town at the southern-most tip of Andalucia, Manuel de Falla is the greatest Spanish composer of this century.
The Ritual Fire Dance from the Ballet El Amor Brujo has been transcribed for two pianos, four hands by Mario Braggiotti. / [Manuel De Falla: Ritual Fire Dance (El Amor Brujo) For 2 Pianos] / Classique / Partition /

Piano 2 et 4 mains / Pièces faciles / Bach Johann Christian : Menuet en sol majeur Beethoven, Ludwig van : Sur un air ukrainien Canon, Marguerite : A la ronde - Le ruisseau - Villageoise Chitte : Etudes I et II - Le poussin curieux Corelli, Arcangelo : Sarabande Czerny, Karl : Etude Opus 453 n°4 - Etude Opus 777 n°2 Haydn, Josef : Danse allemande en ré majeur Mozart, Wolfgang Amadeus : Le printemps (4 mains) - Valse en si b majeur Tchaïkovsky, Piotr Ilitch : Chanson enfantine Telemann, Georg Philipp : Gavotte Türk, Daniel Gottlieb : Chanson à danser - Aria Traditionnel : Le carillonneur - Dans la forêt lointaine - Petit papa

Classique / Arrangement : Editeur : Busoni, Ferruccio / Partition : réduction piano (Klavierauszug) /

Classique / Editeur : Rhau, Gunter / Partition : réduction piano (Klavierauszug) /

for the Left Hand for Piano and Orchestra Piano reduction and solo part-In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career.This scholarly-critical edition of Ravel’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’s evolutionfrom Ravel’s autograph working copy to the first printed edition.A source of key importance to our new edition is a handwritten French copy of Ravel’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part.The Piano reduction in our edition contains both Ravel’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein.Score and orchestral parts in large format (25.5 x 32.5 cm)Includes source descriptions and a Critical Commentary with alternative readings (Eng)Informative Introduction on the work’s history and genesis (Ger/Eng/Fr)With facsimile pagesPiano reduction with separate Urtext solo part enclosedFull score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale

for Piano and Orchestra-Piano Concerto No.9 in E-Flat major K.271 - Jeunehomme.Piano Solo Oboe (2) Horn (2) Violin (2) Viola Violoncello Double bass.2-Piano reduction.The New Mozart Edition offers researchers a musicologically unimpeachable text based on all the available sources (first and foremost Mozart's autograph manuscripts). At the same time it also serves as an aid to authentic performances.BÄRENREITER URTEXT:In the international music world ?Bärenreiter Urtext? is synonymous with performing editions in which the musical text has been prepared using clearly formulated scholarly criticalcriteria. Editors which include prominent musicologists as well as musicians take all available sources into account thus guaranteeing an authentic musical text which represents the latest in musicological research.For Bärenreiter ?Urtext? is more than just a label it is also a pledge and a guarantee for sheet music performing editions that present the authentic text and the latest findings of scholarly research enabling musicians to get as close to the composer?s intentions as the surviving sources will allow. There are no arbitrary editorial additions and the quality of the musical text is matched by an appearance on the page that satisfies the most discerning eye.

B-flat major op. 19-Although the sources to Beethoven’s Piano Concerto Op. 19 are generally known many misconceptions and misinterpretations are put right in this Bärenreiter edition based exclusively on the authentic sources. Jonathan Del Mar’s scholarly-critical edition corrects misreadings of Beethoven’s autograph which were already present in the first edition and had subsequently been incorporated into other editions of this work.

For Pianoforte And Orchestra-With numerous corrections.Piano reduction with a separate solo Piano part.The autograph to Beethoven?s Piano Concerto No. 4 is lost. For every new edition which has appeared during the course of time there have been only two authentic sources to draw upon; the copyist?s manuscript of the score with Beethoven?s own corrections and the first edition in parts from 1808 which was published in Vienna and which contains a few revisions dated after the aforementioned manuscript.Though no new sources have been available for this new edition numerous editorial emendations which have prevailed in all previous editions (evenUrtext editions) have now been corrected.Thus this new Bärenreiter Urtext edition presents Beethoven?s famous work in the clarity which it deserves.

Référence unique par son ISBN 9790044005819 cette partition musique de Liszt Franz n'est autre que VALSE DE MEPHISTO EXTRAIT DE FAUST DE LENAU POUR 2 PIANO qui a été composée pour 2 Pianos. Les droits d'auteur de cette partition de musique de style Classique se trouvent chez les éditions Durand. La référence catalogue de cette oeuvre est DC01066500. / 2 Pianos / Partition

Par BEETHOVEN LUDWIG VAN. Urtext edition reflecting the latest musicological research. With many corrections in the solo part and Orchestral parts. Piano reduction for 2 Pianos with a separate solo Piano part. A must for Pianists,Orchestras and Beethoven scholars. Beethoven?s Piano Concerto No.3 is the only concerto where no authentic manuscript exists for the solo part. The autograph of the score is available whereby the articulation,dynamics and pedal markings are for the most part absent. However, Beethoven oversaw the first printed edition of the solo part (1804) with great diligence. Plate corrections bear witness to the care with whichBeethovenplaced slurs and pedal markings in order to be consistent and unambiguous. By means of a thorough examination of the sources this new Urtext edition presents many corrections in terms of articulation, dynamics andnotes. In particular, the orchestral parts have been corrected for the first time since Beethoven?s lifetime. / Date parution : 2022-02-26/ RĂ©pertoire / 2 Pianos

Beethoven, Ludwig van Concerto for Pianoforte and Orchestra no. 2 B-flat major op. 19 Details Edition no.: BA 9022-90 ISMN: 9790006544141 Editor: Del Mar, Jonathan Arranger: Schelhaas, Martin Product format: Piano reduction, Part(s), Urtext edition Includes the following individual parts: Piano (2) Binding: Paperback Pages / Format: 46/35 S. - 31,0 x 24,3 cm Although the sources to Beethoven?s piano concerto op. 19 are generally known, many misconceptions and misinterpretations are put right in this Bärenreiter Urtext edition. Up till now, no edition was based exclusively on the authentic sources. Previous publications tended to rely on earlier editions, such as the old Beethoven Complete Edition which in turn also did not take exclusively authentic sources into account. Jonathan Del Mar?s scholarly-critical edition corrects misreadings of Beethoven?s autograph which were already present in the first edition and had subsequently been incorporated into other editions of this work. ? First Urtext edition based on the authentic sources ? Numerous corrections in the orchestral parts ? Piano reduction with a separate solo piano part

Editée au cours de l'exercice 2011-2012 par les éditions Fertile Plaine, la partition qui a pour titre Demain ( 2 pianos ) du compositeur Lanoir V. a été cataloguée sous la référence FP 926 par l'éditeur. Cette oeuvre est écrite pour Piano 4 mains et Plus. En 3 clics et quelques jours elle peut être chez vous. / 2 Pianos / Partition