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Soli, Mixted choir and accompaniment
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Georg Friedrich Händel: Giulio Cesare in Egitto HVW 17: Vocal Solo: Score
Soli, Mixted choir and accompaniment
Barenreiter
Opera in three acts. ?Giulio Cesare in Egitto? is by far Handel?s most frequentl...
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Opera in three acts. ?Giulio Cesare in Egitto? is by far Handel?s most frequently performed opera owing its success not least to its subject matter, one of the best known love stories in world history. Already during Handel?s lifetime the popular work was often staged and therefore adapted by Handel for each of the performance conditions. The editor Hans Dieter Clausen has succeeded in editorially defining and practically presenting these adaptations ? essentially four versions ? on the basis of a meticulous study of the sources within the framework of the ?Halle Handel Edition?. The new edition allows for a performance of each of the four versions. The version of 1725 is particularly noteworthy because Handel newly devised the role of Sesto for the famous tenor Francesco Borosini. The libretto shows the Roman dictator Cesar in a friendly light. He instructs his enemy, the Egyptian tyrant Tolomeo, how to treat adversaries: he reconciles the widow and son of his enemy Pompeo who was murdered by Tolomeo: he is generous and just, hands on, but also diplomatic, thoughtful, aware of the limits of his power, and susceptible for art and nature. However, the actual protagonist of the opera is Cleopatra. In a masterly way Handel develops her character musically. In his extensive Foreword Hans Dieter Clausen not only decribes the genesis, historical background, reception and the edition of the opera, he also examines the musical and dramaturgical reworking of individual numbers in ?Giulio Cesare?. Handel was such an expert in adapting arias for new purposes and other characters that he did not only meet the needs at hand but often the new version surpassed the original. In this way, the reader gains, in passing, a well-founded insight into Handel?s work methods when designing and redevising his characters. The detailed Critical Commentary includes information on the comprehensive and highly complex source situation as well as on individual editorial decisions.
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Part]
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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Wolfgang Amadeus Mozart: Litaniae Lauretanae B.M.V.in B-flat major K.109: Mixed
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Besides the Masses the Requiem and the Vespers Mozart’s lengthier church...
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Besides the Masses the Requiem and the Vespers Mozart’s lengthier church-music works also include four Litanies all composed in Salzburg. After his first Italian journey (13 December 1769 to 28 March 1771) Mozart returned to his post as archiepiscopal “Konzertmeister”. Undoubtedly inspired by what he had just experienced he wrote the Litaniae Lauretanae (Loretian Litany) K.109 (74e) his first work in this genre which is dated May 1771.The form of the Litany was found already in early Christian times. Like its name suggests it is a prayer of supplication with a steady repetition of acclamations; however with regard to its manner ofperformance it is also a kind of responsory prayer. While the Loretian Litany is an eloquent expression of Marian devotion the Sacramental Litany is a testimony of praise and veneration of the Eucharist and a recognition of its salvational effect.- Urtext of the New Mozart Edition- Full score performance material (BA4890) and vocal score (BA4890-90) available for sale.
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Marc-Antoine Charpentier: In Nativitatem Domini Canticum: Mixed Choir: Vocal
Soli, Mixted choir and accompaniment
satb (soli), SATB (chorus), Keyboard
[Sheet music]
Barenreiter
Charpentier composed ?In Nativitatem Domini Canticum? during his period as maît...
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Charpentier composed ?In Nativitatem Domini Canticum? during his period as maître de musique at the church of St Louis in Paris (around 1690). It is in the tradition of the oratorios of Carissimi and his contemporaries but is more easily described as a ?Grand Motet? or ?Histoire sacrée? a genre in which Charpentier excelled. The work was probably intended for performance during mass on Christmas Day and thus had a liturgical function as was customary during the period of Louis XIV in Paris.The text presents the Christmas story in three sections: the chorus of the faithful the actual story of the birth of Jesus and the adoration ofthe shepherds in the fields. The music reveals a subtle mixture of French and Italian styles with dramatic elements.For the first time this work prepared by the acknowledged Charpentier expert Joel Schwindt is presented in a scholarly-critical edition where all sources have been consulted.A detailed foreword and critical commentary provide detailed information which fulfil all the criteria of an Urtext edition.- First Urtext edition of this work.- An important addition to the repertoire for Christmas.- Straightforward clear Piano reduction.- Foreword (Ger/Eng) and critical commentary (Eng).- Full score performance material (BA7673) & Vocal score (BA7673-90) available for sale.
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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Georg Friedrich Händel: Dixit Dominus HWV 232: SATB: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Part]
Barenreiter
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time...
(+)
Handel wrote the famous Dixit Dominus with the text of Psalm 109 during his time in Italy in c. 1707. Although he was only 22 years old the work already demonstrates his wide spectrum of compositional abilities which are later fully realized in his operas and oratorios. Central to this work are the six choral movements which with their polyphonic structure are closely related to German choral music of the 17th century.The first Urtext edition BA 4002 based on the Halle Handel Edition was published in 1960. At that time no critical commentary was published so that in cases of doubt the basis on which editorialdecisions were made was not officially recorded. A new complete edition volume (BA 10704/01) due to be published in 2013 will include a detailed foreword providing information on the genesis and the first performance of this work as well as information on the psalm on which this work is based and on performance practice. In addition several facsimiles pages will be included giving a view into the source material. The critical commentary will provide a detailed insight into all the available sources and how they have been passed down.This newly revised Urtext performing edition offers a thorough revision of this frequently-performed work and meets all the requisites of a scholarly-critical edition. Former readings in the old edition regarding a small number of pitches but mostly basso continuo figures and the underlying text have now been able to be amended on the basis of the new findings. In the new edition the work appears in nine movements no longer eight which reflects the composer's intentions.The new performance material is not compatible with the old one.Presented in a revised Urtext editionClear straightforward Piano reduction in the vocal scoreUrtext of the Halle Handel EditionFull score performance material (BA10704) & Vocal score (BA10704-90) available for sale
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Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...
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B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2001-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
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Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
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Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 1990-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 1990-03-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Johann Sebastian Bach: Cantata BWV 158 Der Friede Sei Mit Dir: SATB: Score
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Barenreiter
Cantata for Easter Tuesday-Der Friede sei mit dir BWV 158Cantata for Easter Tues...
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Cantata for Easter Tuesday-Der Friede sei mit dir BWV 158Cantata for Easter TuesdayThe cantata Der Friede sei mit dir is one of those works of Bachâs which present the most problems. Neither the author of the text nor the history of the workâs composition is known to us; and to judge by appearances the version that has come down to us is but a fragment compounded of a number of once disparate elements and gives little indication of the workâs original form.Yet the movements that have come down to us are of such uncommon musical interest that we would not want to be deprived of them just because they may be incomplete. The modesty of its requirements is at least in partresponsible for the comparatively wide popularity enjoyed by this cantata.- Urtext of the New Bach Edition- Full score & performance material (BA10158) vocal score (BA10158-90) available for sale
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Marc-Antoine Charpentier: Messe de Minuit pour Noël (Christmas Mass): SATB:
Soli, Mixted choir and accompaniment
[Sheet music]
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier?s best-known composition after the Te Deum H 146. The special appeal of this ?Mass for the Midnight Service on Christmas Eve? lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier?s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups ? one group of two sopranos and two groups each comprising alto tenor and bass ? which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier?s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score
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Johann Sebastian Bach: Cantata BWV 158 Der Friede Sei Mit Dir: Mixed Choir:
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
[Sheet music]
Barenreiter
Der Friede sei mit dir BWV 158Cantata for Easter TuesdayThe cantata Der Friede s...
(+)
Der Friede sei mit dir BWV 158Cantata for Easter TuesdayThe cantata Der Friede sei mit dir is one of those works of Bachâs which present the most problems. Neither the author of the text nor the history of the workâs composition is known to us; and to judge by appearances the version that has come down to us is but a fragment compounded of a number of once disparate elements and gives little indication of the workâs original form.Yet the movements that have come down to us are of such uncommon musical interest that we would not want to be deprived of them just because they may be incomplete. The modesty of its requirements is at least in partresponsible for the comparatively wide popularity enjoyed by this cantata.- Urtext of the New Bach Edition- Full score & performance material (BA10158) vocal score (BA10158-90) available for sale
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Johann Sebastian Bach: Cantata No. 132 Bereitet Die Wege: SATB: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Cantata for the 4th Sunday of Advent-The cantata Bereitet die Wege is one of the...
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Cantata for the 4th Sunday of Advent-The cantata Bereitet die Wege is one of the few works by Johann Sebastian Bach of which we know fairly well how it came into being. The autograph full score bears the date 1715; Bach therefore composed the piece for the church service given by the Weimar court orchestra (of which he was the concert master) on 22 December the fourth Sunday in Advent in the year 1715. We even know the author of the words: it was the High Ecclesiastical Secretary in Weimar Salomon Franck who wrote the poem especially for that occasion and had it printed in his annual cycle of cantata texts entitled Evangelisches Andachtsopfer.
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Marc-Antoine Charpentier: Messe de Minuit pour Noël: Mixed Choir: Part
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc...
(+)
Probably composed in 1690 the Messe de Minuït pour Noël H 9 is perhaps Marc-Antoine Charpentier’s best-known composition after the Te Deum H 146. The special appeal of this “Mass for the Midnight Service on Christmas Eve” lies in its use of no fewer than ten traditional French carols while impressively revealing Charpentier’s mastery of the concertante style.The eight solo vocalists (SSAATTBB) can easily be taken from the chorus. They are divided into three groups – one group of two sopranos and two groups each comprising alto tenor and bass – which interact with the chorusand instruments. This new edition represents the current state of scholarship and offers a completely revised Urtext of Charpentier’s masterpiece.- Urtext based on the latest scholarly research- Straightforward and easy-to-play keyboard reduction- Duration: approx. 25 minutes- Full score & parts (BA7592) and vocal score (BA7592-90) available for sale
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Wolfgang Amadeus Mozart: Le nozze di Figaro (Die Hochzeit des Figaro) KV492:
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
Barenreiter
Complete Edition hardcover Opera buffa in four acts-Premièred at the Vienna ...
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Complete Edition hardcover Opera buffa in four acts-Premièred at the Vienna Hoftheater on 1 May 1786 Wolfang Amadeus Mozartâ??s and Lorenzo Da Ponteâ??s Le nozze di Figaro may be safely regarded as one of the greatest operatic successes of all times. Yet its success was not entirely due to Mozartâ??s music: on the contrary because of the extraordinary demands it placed on the orchestra (especially the woodwinds) the music even posed an obstacle to the workâ??s spread outside the German-speaking countries. At least equally responsible for the operaâ??s success was the librettist Lorenzo Da Ponte who managed to transform a topical and socio-critical stage play into an opera libretto as effective as it isamusing.Many of the sources for Mozartâ??s first opera from the Lorenzo Da Ponte trilogy only became available to scholars again after the â??New Mozart Editionâ?? volume was published. These include the autograph scores of acts 3 and 4 now held at the Biblioteka Jagiello ka in Kraków significant portions of the original sets of parts and acts 2 to 4 of the conductorâ??s copy from the first performance of 1786.These original sources now available again offer compelling solutions to several previously unresolved questions.Edition based on the Urtext of the â??New Mozart Editionâ?? reflecting the latest musicological researchWith findings from original sources now available againDetailed foreword (Ger/Eng)Full score (BA4565-01) Vocal score (BA4565-92) study score format 22.5 x 16.5cm
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Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Wolfgang Amadeus Mozart: Dixit Et Magnificat: Mixed Choir: Part
Soli, Mixted choir and accompaniment
satb (soli), SATB (choir), Orchestra
Barenreiter
Written in Salzburg in 1774 the Dixit Et Magnificat in C major K.193 is scored ...
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Written in Salzburg in 1774 the Dixit Et Magnificat in C major K.193 is scored for SATB soloists Mixed Choir (SATB) Trumpet (2) Trombone (3) Kettledrum Strings (without Viola) Organ. Full score performance material (BA5340) and vocal score (BA5340-90) based on the Urtext New Mozart Edition is available for sale.
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Litaniae Lauretanae B.M.V In B (MOZART WOLFGANG AMADEUS)
Soli, Mixted choir and accompaniment
Soli, mixted choir, orchestra
[Sheet music]
Carus Verlag
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is th...
(+)
B-Dur. Par MOZART WOLFGANG AMADEUS. This Litany of the Blessed Virgin Mary is the first and most straightforward of four litanies which Mozart composed from 1771 to 1776 in Salzburg. Its light instrumental scoring - only the 'church trio'' of two violins and continuo, with trombones used merely to reinforce the choir - suggest that this piece was intended for Marian devotions in the small Court Chapel of Schloss Mirabell. / Hymnes et chorals / Date parution : 2005-06-01/ Répertoire / Solistes SATB, Choeur SATB, 2 ViolonS Basse Contin
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Gioachino Rossini: Petite Messe Solennelle: Mixed Choir: Vocal Score
Soli, Mixted choir and accompaniment
Soli, mixted choir and piano
Barenreiter
The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He com...
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The ?Petite Messe Solennelle? is the finest work of Rossini?s late years. He composed it between 1863 and 1864 at the age of 71 as a commission for Countess Louise Pillet-Will for the consecration of her private chapel where the work received its first performance in March 1864. Together with the ?Stabat mater? the mass is one of the composer?s most important sacred works.The unusual instrumentation with two Pianos and Harmonium is entirely in keeping with the Neapolitan Keyboard tradition of the 18th century which was cultivated in France in Rossini?s day. It forms a distinct contrast to the style of large-scale sacred compositionsas written by for example Liszt and Bruckner. Rossini explained that he wrote the later Orchestral version of the work dating from 1867 out of concern that if he did not do this other composers might orchestrate the mass too heavily in later arrangements.The Piano reduction by Andreas Köhs is extremely idiomatic and largely preserves the charming character of the unusual instrumentation.- Based on the Urtext of the series ?Works of Gioachino Rossini?.- Foreword in two languages (Eng/Ger).- With a separate Harmonium part and one part for Pianos I and II.
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