An appetiser for our high-quality Urtext opera vocal scores give it a try and enjoy!This collection of opera arias for Soprano (or Mezzo-Soprano) and Piano offers a cross-section of Bärenreiter?s extensive catalogue of stage works.An affordable anthology with such well-known and favourite arias as Handel?s famous ?Ombra mai fu? and Mozart?s ?Ach ich fühl?s es ist verschwunden!? is not only suited for voice students and aspiring singers preparing for examinations and auditions but also provides seasoned professionals with inspiration and material for programming their recitals.The collection spans a representative arch from the earlybaroque to the romantic era gathering together repertoire masterpieces by Monteverdi Handel Gluck Haydn Mozart Beethoven Berlioz Smetana and Chabrier. The pieces are in Italian French Czech and German and include for the most part a singable translation in German. The spectrum ranges from the declamatory style to easy coloratura. The Piano arrangements have been prepared by experienced conductors and répétiteurs.A Bärenreiter anthology for opera singersContains important arias from the opera repertoire for (Mezzo-)Soprano

These vocal scores (BA9181, BA9182, BA9183) of Mozart?s concert and insert arias are based on the ?New Mozart Edition? (NMA). The first three volumes comprise all arias for soprano and orchestra. They are classified according to voice type (high soprano, soprano, low soprano and alto) and arranged chronologically within the volumes.

Unlike the NMA the musical text presented in these editions is free from practical references on performance aspects or suggestions on performance practice. Instead, each volume contains a accompanying brochure, with detailed explanations on the execution of appoggiaturas and other performance practice phenomena which are relevant to every aria. In addition, there is a choice of suggestions for the performance of cadenzas and lead-ins as well as a suggestion for the ornamentation of dal segno parts, which are often found in the early Mozart arias.

? Arrangement of arias according to voice type
? Underlaid text presented in the original language only
? All aria texts are translated into German and English and are printed seperately
? Idiomatic piano reductions to the individual arias
? Clear and legible layout of the musical text as all additional notes and suggestions on performance practice appear in the supplement published with each volume
? Performance material on hire to each aria
(Please refer to the relevant volume for further information)
/ [Grands Airs de Concert Pour Soprano] / Classique / Partition / Agrafé /

La collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Chacun des cinq volumes contient des chansons importants choisis en raison de leur pertinence à ce type de voix particulière. Toutes les sélections sont sous leur forme de tic, extrait les scores vocales originales. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés que Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour l'auditioniacticing ou d'effectuer des chanteurs. / Répertoire d'Examen / Recueil / Voix

Benjamin Britten is widely held to be one of the greatest opera composers of the 20th century. His works are regularl performed in opera houses throughout the world and many of the arias have become essential repertoire for students and professional singers.This second book includes arias from the famous operas The Little Sweep The Turn of the Screw and A Midsummer Night?s Dream. The German singing translations are also included.

Edited with additional material from the Salzburg version“In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives concluding with an Hallelujah and sung during the Mass following the Credo generally by one of the best singers.” One composition matching this description is the solo motet Exsultate jubilate K. 165/158a which Mozart wrote in Milan early in 1773 following the highly successful performance of his opera Lucio Silla.In 1978 when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft a set ofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg court bassoonist and copyist Joseph Richard Estlinger (c. 1720–1791) who frequently worked for Mozart and his father.The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria and in the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in the Dreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart together with Ceccarelli were invited to the church’s vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.- Urtext of the New Mozart Edition- Full score performance material (BA4897) and vocal score (BA4897-90) available for sale

Cantata for the 15th Sunday after Trinity-Jauchzet Gott In Allen Landen - Praise Ye God Throughout Creation BWV 51.Cantata for the 15th Sunday after Trinity. The solo cantata “Jauchzet Gott In Allen Landen” written around 1730 for the 15th Sunday after Trinity is one of Bach’s best-known cantatas. The scoring for solo Soprano Trumpet Strings and Continuo is unique amongst Bach’s cantatas and has parallels with Italian composers of the period. The enduring popularity of the work is due to the clear and succinct formal structure and not least to the virtuoso Trumpet part and Soprano arias in which the soloists can demonstrate their totalmastery. The cantata is published in a Vocal score based on the “New Bach Edition” with an idiomatic straightforward Piano reduction by Martin Focke. - Famous work with a festive instrumental sound. - Urtext based on the “New Bach Edition”. - Clear straightforward Piano reduction. - Study score (TP1051) performance material (BA10051) & Vocal score (BA10051-90) available for sale.

Broken Branches is a short 3 minute song/meditation for soprano piano and double bass. It was written for a concert in New York in 1993 which featured a whole programme of political songs; composers were left free tochoose their own subject matter. The conflict in the former Yugoslavia was then at one of its many furious peaks and Weir made a transcription from a recording of a sad choral song from Croatia called zaspo Janko podjablonem. Work for Soprano Piano and Double Bass.

La collection la plus complète des sélections de Broadway jamais organisée spécifiquement pour le chanteur. Chacun des cinq volumes de la série contient des chansons importants choisis parce qu'ils sont appAvailableriate fpr chaque voix. Toutes les sélections sont sous leur forme authentique, original et de la musique vocale originale. Les chansons dans Musical Theatre anthologie du chanteur, écrit par des compositeurs tels notés comme Kurt Weill, Richard Rodgers, Stephen Sondheim et Jerome Kern, sont des chefs-d'oeuvre vocales idéales pour les auditions, pratiquer ou effectuant des chanteurs./ Recueil / Soprano 3

Between Eternity And Time by Paul Mealor was commissioned by Irene Drummond with funds provided by the Scottish Arts Council and first performed by her with Alasdair Beatson (piano) at King’s College Chapel Aberdeen on 6 November 2008.

Volta La Terrea Fronte Alle Stelle is a solo aria from the opera Un Ballo In Maschera (A Masked Ball). It is presented here for solo Soprano Voice with Piano accompaniment in standard notation with added chord symbols.Scribe's libretto to Verdi's 'A Masked Ball' concerns the real-life assassination of King Gustave III of Sweden at a masked ball in 1792 but adds a love story to what was probably a political murder. The King Ricardo is in love with Amelia wife of his friend Renato. Renato warns the King to beware a plot to kill him. The King visits Ulrica the mystic and she says he will die by the next friendly hand he shakes. The plotdevelops and ends with an exploration of the concepts of innocence and remorse.

The most comprehensive collection of Broadway selections ever organized specifically for the singer. Each of the five volumes in the series contains important songs chosen because they are appropriate fpr each voice. All selections are in their authentic, original form, and taken from the original vocal score. The songs in The Singer's Musical Theatre Anthology, written by such noted composers as Kurt Weill, Richard Rodgers, Stephen Sondheim, and Jerome Kern, are vocal masterpieces ideal for the auditioning, practicing or performing vocalists.