Aulos I to a certain degree continues Orbán's easy piano pieces for children, which he composed for �gnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. / Ensemble Mixte

La musique de l'orchestre Penguin Café a été largement utilisée dans le film, la publicité, la télévision et radio, où son appel éclectique est parfaitement adapté à un large public. oeuvres les plus populaires du BCP pour ensemble, y compris deux pièces utilisées pour les campagnes publicitaires de grande envergure pour le mercure One to One (téléphone et bande de caoutchouc) et Hewlett Packard (Perpetuum Mobile) sont maintenant disponibles pour la première fois à imprimer. / Ensemble Mixte / niveau : Intermédiaire / Partition Et Parties Avec Cd

Par SCHUBERT FRANZ. Guitare Fl - Violon. Violoncelle -/ Répertoire / Ensemble Mixte

Per Ensemble. Par ROMITELLI FAUSTO. Langue: English(US) / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Ensemble Mixte

Le présent volume est une continuation de la collection 'Chamber Music for Beginners' (Z. 6915). Ses pièces sont seulement un peu plus difficile que les oeuvres qui y sont contenues (instrumentistes à cordes peuvent effectuer la plupart des morceaux en première position). 'Chamber Music II. comprend des oeuvres de maîtres de la Vienne classicisme. Ils peuvent déjà être acquis en même temps que les morceaux un peu plus exigeants du volume 'Chamber Music for Beginners'. / Ensemble Mixte

Fausto Romitelli In Memoriam, Per Violino With Live Guitar Rig E Doppio Ensemble. Par FRANCESCONI LUCA. / Musique contemporaine / Répertoire / Ensemble Mixte

Pour Hautbois, Clarinette, Basson, 2 Violins, Alto, Violoncelle, Contrebasse et Percussions. Par CHEMIN-PETIT HANS. / Répertoire / Ensemble Mixte

Per Pianoforte, Violino E Chitarra Elettrica, Violoncello E Tamburello. Par QUARANTA F.. / Répertoire / Ensemble Mixte

Par SCOTTO VINCENT. Langue: Italiano / Date parution : 1905-06-24/ Répertoire / Ensemble Mixte

One of the best jazz ballads ever written! A marvelous down tune skillfully adapted for young combos.

'A rigorously static work. The sonata the dry gongs and desert glare of its percussion encircling the lonely human agony of the viola exists in a climate in which emotion is all the fiercer for being half-stifled and haltingly articulate.'Sydney Morning Herald (Roger Covell) 15 August 1964

Par MITREA-CELARIANU MIHAI. Langue: Deutsch / Date parution : 1905-06-24/ Répertoire / Ensemble Mixte

Edizione Critica A Cura Di Alessandro Borin / Critical Edition By Alessandro Borin. Par VIVALDI ANTONIO. The six Concerts op. VI for violin, strings and continuo by Antonio Vivaldi were published in Amsterdam by Roger in 1719. Although the contribution of Vivaldi was most likely modest – even to assume that the publishing occurred without hisauthorization - these six compositions mark a decisive step towards the definition of the classic Vivaldi Concerto, consisting of three movements and with the participation of a single Soloist. This critical edition – mainly based on the firstprinted edition and its following reprints – takes in consideration also all the printed sources related to each single concert of op. VI found into anthologies and the manuscript ones kept at the Wiesentheid and Dresda libraries. The informationcollected through the comparative study of the manuscript tradition and the printed one made possible not only to reconstruct the links among the sources and clarify some problematic choices but also to formulate hypotheses about the genesis and theintrinsic nature of the whole collection. / Date parution : 1905-07-08/ Répertoire / Ensemble Mixte

Per Voce E 5 Strumenti. Par GERVASONI STEFANO. Italian / Musique contemporaine / Date parution : 1905-06-28/ Répertoire / Ensemble Mixte