Following the composition of Harold En Italie for Viola and orchestra in 1834, Berlioz began work on the opera Benvenuto Cellini , which subsequently failed on its first performances at the Paris Opera in 1838. Berlioz withdrew the opera for substantial revision, and from some of the discharged material he later fashioned this Reverie Et Caprice (in versions both for Violin and orchestra and Violin and Piano). Dedicated to Berlioz's violinist friend Alexandre-Joseph Artot, the piece was quickly taken up by several celebrated violinists of the time, including David, Joachim and Wieniawski, and was played all over Europe. This new edition for Violin and Piano, by the musicologist and performer Neil Heyde, is based on the first edition of the score.

Par TCHAIKOVSKI PIOTR ILITCH. Souvenir d'un Lieu Cher (Memories of a Dear Place) is a collection of three pieces for violin and piano. The first - Méditation - was written in Clarens in Switzerland in March 1878. Tchaikovsky originally intended it to be the slow movement of his violin concerto, but later replaced it with the more substantial Canzonetta and recast it for violin and piano. The other two movements were composed in May of the same year on the estate of his benefactress, Nadeja von Meck at Brailovo in Ukraine which is the 'dear place' of the title. It was published in in May 1879. The work is very characteristic of Tchaikovsky's style. It is built on beautiful melodies, with a Russian folk inflection, and contains a variety of contrasting sections. The outer movements are written in a gentle lyrical style, whereas the scherzo is fast and furious creating a mood of stormy anger. The trio section is based on a simple melody with a tinge of sadness about it. The solo part exemplifies Tchaikovsky's mastery of violin writing, using as it does a wide range of timbres and effects. / Répertoire / Violon et Piano

Take the lead is an integrated series for alto saxophone, clarinet, flute, piano, tenor saxophone, trumpet and violin. In each edition all of the songs are in the same key at concert pitch, allowing the different instruments to play together. Chord symbols are included at concert pitch for use by piano or guitar. 'Take the Lead British Isles folk songs' is a collection of old favourites from all around the UK and Ireland. These simple, idiomatic arrangements give young players the opportunity to play well known tunes either as solo performances or as part of a group. With a choice of backing CD accompaniment or playing along with guitar or piano 'Take the Lead' offers both teacher and student ultimate flexibility.

First Position-New recital pieces for the tried and trusted Sassmannshaus Violin method.All pieces written in first position.With a second Violin part for duet performance.Available in freely accessible recordings on YouTube.These two collections give young students and teachers a rich selection of recital pieces either to complement the Sassmannshaus Early Start on the Violin method or to play independently from it. As all the pieces are written entirely in first position they can be used after just a few months of lessons.The Piano part may be played by the teacher or an advanced student. As an alternative the accompaniment can be played by a secondViolin.All the pieces are available in exemplary recordings on YouTube.From the contents of Volumes 1 and 2:Nursery rhymes folksongs but also less well-known gems as well as original pieces by the editors all precisely tailored to meet the needs of young students.Kurt Sassmannshaus the editor of a great many string editions in the Bärenreiter catalogue continues the tradition founded by his father Egon Sassmannshaus in the Early Start string methods. He developed these two new editions together with his wife Melissa Lusk and his son Christoph Sassmannshaus.Similar editions are in preparation for the Cello.

Trinity Performance Editions showcase new works by contemporary composers. Each edition is dedicated to one composer and instrument. Many pieces from the series are featured on Trinity???s exam syllabuses whilst others are simply enjoyable to learn and play and provide great transition pieces between grades. All are excellent recital pieces and performance notes written by the composer are available online along with further digital resources.

Les éditions existantes pour solistes avec accompagnements sur CD, sont maintenant disponibles avec un accompagnement au piano alternative ajouté fournissant des pianistes et solistes avec la chance de jouer ensemble de ces pièces. Les CD a immédiatement leur musique traditionnelle vivante de partout dans le monde - dans toute sa diversité. Représentations complètes des pièces sont également fournies et seront une source d'inspiration à la fois des solistes et des pianistes.Joueurs de niveau intermédiaires. / Violon Avec Accompagnement CD Ou Piano

Par TCHAIKOVSKI PIOTR ILITCH. Some of the world's greatest violin solos are to be found within the orchestral repertoire. The Concertmaster aims to make these solos readily accessible for the first time, both for study by the aspiring orchestral leader, and as a piano reduction, while the separate violin part contains helpful hints on bowing and fingering. The Concertmaster will prove an indispensable addition to the library of the more advanced violin student or young professional. Volume I contains all the famous solos from Tchaikovsky's orchestral music, including four major extracts from Swan Lake, two from The Sleeping Beauty, and one each from the orchestral Suites No.3 in G and No.4 ('Mozartiana')./ Répertoire / Violon et Piano

Création
07/11/2017 - Paris, Maison de Radio France, Auditorium - Finale du Concours international Long-Thibaud-Crespin
Commanditaire
Concours Long-Thibaud-Crespin
Notice
Autumn Rhythm est une pièce pour violon et piano. Créée à l'automne 2018, elle s'inspire du travail du peintre expressionniste abstrait Jackson Pollock (1912-1956) et en particulier de son all-over n°30 Autumn Rhythm (1950).
En abandonnant pinceaux et chevalets, Pollock révolutionne l'art de la peinture avec ses drippings . Pour réaliser sa série de all­over, il étale la toile à même le sol et y projette la peinture par éclaboussures, coulures, gouttelettes et fils entrelacés. Ainsi, différentes strates et enchevêtrements de lignes se superposent pour former des jeux de textures et créer du relief sur toute la surface d'une toile immense (sans jamais privilégier ni oublier aucune zone). Les all-over n'ont donc ni véritable début, ni véritable fin, l'oeil étant happé à l'intérieur du tableau. Dans Autumn Rhythm, les lignes de peinture noire contrastent avec les tâches brunes, ocres et blanches ; l'alternance de ces tâches claires et sombres crée des effets de lumière ; les éclaboussures se chevauchent. C'est à la fois cette importance accordée à la texture, ces superpositions, le choix des tons, et ces paquets de fils entremêlés qui donnent à la toile son rythme prégnant et envoûtant.
J'imagine alors un tourbillon aux couleurs d'automne, comme une forêt d'où des rais lumineux tenteraient de percer à travers les feuillages. C'est ce qui m'a inspirée pour cette oeuvre.
D'un seul tenant, elle est conçue comme une fenêtre sur l'intérieur du tableau, comme si nous avions été aspirés dans ses entrailles. Violon et piano - indissociables - s'y entremêlent en différentes strates rythmiques et colorées pour créer diverses textures. Les modes de jeux utilisés (sul tasto, flautando, pizzicati main gauche et main droite, harmoniques, pédale du piano, etc...) ont un rôle important dans ces couches de couleurs, notamment afin d'en faire ressortir certains motifs mélodiques. Dès les premières mesures, le rythme est prégnant et fonctionne sur une boucle répétée inlassablement. Le mouvement ne s'arrêtant jamais véritablement, il contribue à donner une sensation hypnotique et enivrante à cette pièce ; la sensation d'avoir plongé au coeur de ce tourbillon automnal nimbé de lumière.
Je profite de cette note pour remercier le concours Long-Thibaud-Crespin et tout particulièrement Renaud Capuçon pour leur confiance.
Camille Pepin / Partitions classique / Cordes / Violon / Editions musicales Rubin

Il s'agit d'un arrangement instrumental attrayant d'une des chansons plus aimés du monde. L'arrangement est en deux sections. La chanson est d'abord joué dans une version littérale (Andante espressivo), qui est ensuite suivie par un article mettant en vedette les variations de la mélodie (marqué ' librement, comme s'improvisant '). L'arrangement est facile de difficulté modérée. / Violon Et Piano

George Speckert?s edition presents film themes in easy attractive arrangements for violin and piano.Besides top titles by Hans Zimmer Lalo Shifrin and Harold Arlen the volume includes classical themes that have gained popularity through their use in films for example Johannes Brahms? Hungarian Dance memorably used in ?The Great Dictator? as well as Johann Strauss? ?The Blue Danube? used in ?2001 A Space Odyssey?. Less well-known is the fact that Walt Disney was praised for his masterly use of classical music in one of his first full-length films ?Fantasia? and that Stanley Kubrick also used great classical works very effectively in practically all his films. Themelodies in this edition are easy to sight-read and are certainly fun to play.From the contentsMelodies from ?Mission Impossible? ?The Fifth Element? ?Pirates of the Caribbean? ?Fantasia? ?2001 A Space Odyssey? ?The Great Dictator? and othersThe arrangerGeorge Speckert is renowned for his arrangements and compositions for numerous Bärenreiter editions. He is a composer author and teacher for multi-media production as well as e-learning.

Par WEDGWOOD PAM. Cool syncopation, funky riffs and smooth, stylish tunes - from dynamic to nostalgic, Pam Wedgwood's series has it all. Christmas Jazzin' About is a vibrant collection of original pieces in a range of contemporary styles. So celebrate the festive season in style with these jazzy arrangements of popular Christmas carols. / Niveau : Facile / Date parution : 1996-06-20/ Recueil / Violon et Piano

Les éditions existantes pour solistes avec accompagnements sur CD, sont maintenant disponibles avec un accompagnement au piano alternative ajouté fournissant des pianistes et solistes avec la chance de jouer ensemble de ces pièces. Les CD a immédiatement leur musique traditionnelle vivante de partout dans le monde - dans toute sa diversité. Représentations complètes des pièces sont également fournies et seront une source d'inspiration à la fois des solistes et des pianistes.Joueurs de niveau intermédiaires. / Violon Avec Accompagnement CD Ou Piano

This book contains nine pieces from ABRSM?s Grade 8 Violin syllabus from 2024, three pieces chosen from each of Lists A, B and C ? ideal for both Practical and Performance Grade exams. The pieces have been carefully selected to offer an attractive and varied range of styles, creating a collection that provides an excellent source of repertoire to suit every performer. The book also contains helpful footnotes and, for those preparing for exams, useful syllabus information.Audio recordings of all nine pieces, plus piano accompaniment tracks, are included via the download code in the book.