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ELECTRONIC …
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EUPHONIUM
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It
Opera
INSTRUMENTS
INSTRUMENTS
ACCORDION
AUTOHARP
BAGPIPE
BANJO
BASS
BASSOON
BOOKS
BOUZOUKI
BUGLE
CHORAL - VOCAL - CHOIR
CLARINET
CORNET
DIDGERIDOO
DJ GEAR
DRUM
DULCIMER
EUPHONIUM
FLUTE
FRENCH HORN
GUITAR
HANDBELLS
HARMONICA
HARP
HARPSICHORD
LAP STEEL GUITAR
LUTE
MANDOLIN
MARCHING BAND
MARIMBA
MUSIC COURSE
OBOE
OCARINA
ORCHESTRA - BAND
ORGAN
PANPIPES
PERCUSSION
PIANO
RECORDER
SAXOPHONE
SYNTHESIZER KEYBOARD
TROMBONE
TRUMPET
TUBA
UKULELE
VIBRAPHONE
VIOLA
VIOLIN - FIDDLE
VIOLONCELLO - CELLO
XYLOPHONE
ZITHER
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Musique Légčre (73)
Choeur Mixte et Orchestre (72)
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Choeur SAM (70)
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Cor en Mib et Piano ou Orgue (69)
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Edition Critique des oeuvres d… (63)
Euphonium en Clé de Fa Do ou e… (63)
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2 French horns (duet) (63)
Voice and Orchestra (63)
Tuba en Mib et Piano ou Orgue (63)
3 Saxophones (trio) (63)
Lap Steel Guitar (62)
Viola, Cello (duet) (62)
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Basse En Eb Et Piano (60)
Voice, Organ (60)
2 Violins and Basso (60)
Batterie et Percussions (59)
Voix Et Instruments Divers (58)
Brass Quartet: 4 trumpets (58)
Double bass, Orchestra (58)
Saxhorn Basse, Tuba et Piano (57)
Conducteur et Poche (57)
2 Bassons et Piano ou Orgue (57)
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Livres (57)
Trumpet, Trombone, Piano (56)
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Lute (55)
Quintette avec Piano (55)
Trombone or Euphonium (55)
Electric bass, Drums (54)
Choeur SATB, (4 Instruments, C… (54)
Alto et Orchestre (53)
Djembe (53)
Flűte Traversičre, Violon et B… (53)
Cor d'Harmonie et Piano (53)
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Choral, Orchestra (53)
Cajon (53)
Orchestres ŕ Vent (53)
Clarinette Et Cordes (52)
Clarinet, Guitar (duet) (52)
3 Trombones Ténor et 1 Trombon… (52)
Trompette, Trombone et Piano (52)
Quintette de Cuivres (52)
Flute Quartet: Flute, Violin, … (52)
Snare drums, Piano (52)
Xylophone or Marimba or Vibrap… (52)
2 Trompettes ou Cornets et Cor… (52)
2 Cornets et Piano (52)
Xylophone (52)
Clavecin Et Cordes (52)
Voix et Orchestre ŕ vent (51)
Trompette Et Orchestre (51)
Flűte Traversičre Alto et Guit… (51)
2 Trompettes et 3 Trombones (51)
Double Choeur Mixte (51)
2 Cors en Mib et Piano (51)
2 Bassons et Piano (51)
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2 Saxophones Ténor et Piano (50)
Livre Musical (50)
Voix Seule (50)
Trumpet, Trombone (duet) (50)
Clarinette et Orchestre ŕ Vent… (50)
Tous instruments (50)
Saxophone Baryton (49)
Clavecin Et Instruments A Cord… (49)
2 Saxophones Alto et Piano ou … (49)
Cor, 4 Trompettes, 4 Trombones… (48)
Variétés françaises (48)
Quatuor ŕ Cordes et Guitare (48)
Orgue, 2 Hautbois, Basson Et C… (48)
Libretto (48)
Trio A Cordes (48)
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2 Cornets et Piano ou Orgue (48)
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2 Trompettes (duo) (47)
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4 Clarinettes et Piano ou Orgu… (45)
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Conga (44)
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Medium Voice (44)
Saxhorn or Euphonium (44)
2 Trompettes Sib 1 Cor en Fa 1… (44)
3 Trombones et Piano ou Orgue (44)
Clavier ou Orgue Electronique (44)
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Lyrics only (43)
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Violon, Violoncelle Et Alto (43)
Solistes SATB, Choeur SATB, 4 … (43)
Xylophone, Piano (43)
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2 Saxophones Ténor et Piano ou… (43)
Descant (Soprano) Recorder, Ba… (43)
Bugle (43)
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Trombone et Cordes (42)
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2 Tubas (42)
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4 Tubas (2 Euphoniums et 2 Tub… (42)
2 Cors et Piano ou Orgue (42)
3 Trumpets (trio) (42)
Solistes SATB, Choeur SATB, 2 … (42)
5 Parties Mixtes (42)
Trompette, Cordes Et Basse Con… (41)
Flűte ŕ Bec Alto et Basse Cont… (41)
Cor des Alpes et Piano (41)
Choeur SATB, 2 Hautbois, 2 Cla… (41)
Flűte Traversičre et Cordes (41)
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3 Flűtes Traversičres et Piano… (41)
2 Cors en Mib et Piano ou Orgu… (41)
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Saxophone Alto, Saxophone Téno… (41)
Cornet en Mib et Piano (41)
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Flűte ŕ Bec Alto ou Flűte Trav… (40)
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Flűte Traversičre, Hautbois, V… (40)
Choeur SATB et Basse Continue (40)
Soprano Saxophone and Piano (40)
Flűte ŕ Bec et Piano (40)
3 Clarinettes et Piano ou Orgu… (40)
Basse En Bb Et Piano (Orgue) (39)
Flűte Traversičre, Clarinette … (39)
String Quintet: 2 violins, vio… (39)
Musique de chambre (39)
4 Euphoniums et Piano ou Orgue… (39)
Flűte Traversičre, Alto Et Gui… (39)
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Soprano, Choeur Mixte (SATB), … (39)
Piccolo (39)
Petit Orchestre (39)
Piano Trio: Violin, Viola, Pia… (38)
Solistes SATB, Choeur SATB, 2 … (38)
Tenor (38)
Viola, Guitar (duet) (38)
2 Violas, Piano (38)
Oboe, Guitar (duet) (37)
Saxophone Sib Et Piano (37)
Partition D'Orchestre In 16 Po… (37)
Cello, Organ (37)
Chanson (37)
Basse En Bb Et Piano (37)
Quatuor avec Piano (37)
String Trio: 3 cellos (37)
4 Violons, 2 Altos, Violoncell… (36)
Trompette, Hautbois D'Amour, V… (36)
Violon Solo, Violoncelle Solo,… (36)
Mandoline, Mandole et Guitare (36)
Violon Principal, 2 Violons, A… (36)
2 Trompettes, Cor et 2 Trombon… (36)
Autoharp (36)
Cordes et Basse Continue (36)
Viola da Gamba (36)
Baryton (36)
Chamber Music (36)
Solistes SATB, Choeur SATB, 2 … (36)
Trompette et Orchestre ŕ Vent (36)
Oboe, Bassoon and Piano (35)
3 Tubas (35)
Trombone Et Orgue (35)
Soliste, Double Choeur Mixte e… (35)
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2 Trombones et Clavier ou Pian… (35)
Orchestre D'Instruments A Plec… (34)
Flűte Traversičre Violon et Gu… (34)
Harpsichord and Strings (34)
Vocal duet (34)
Trombone et Brass Band (34)
Percussions et Piano (34)
Solistes SATB, Choeur SATB, 2 … (33)
Flűte Traversičre, Hautbois, C… (33)
Tuba Solo (33)
Saxophone Soprano, Saxophone A… (33)
2 Hautbois, 2 Violons, Alto, V… (33)
Clarinette, Violoncelle et Pia… (33)
4 Trompettes, Cor, 4 Trombones… (33)
Clavier Electronique et Ligne … (33)
Trumpet ensemble (33)
Soli (STB), Choeur Mixte (SATB… (33)
6 Parties Mixtes (33)
2 Trompettes ou Cornets et Tub… (33)
Book (33)
Baritone Saxophone (33)
2 Clarinettes en Sib et Clarin… (33)
Soprano Saxophone (33)
Hautbois et Quatuor ŕ Cordes (32)
2 Hautbois, 2 Clarinettes, Tim… (32)
Quatuor ŕ vent (32)
Batterie Fanfare En Sib (32)
Solo S, Choeur SATB, 2 Flűtes … (32)
Flute, Violin and Violoncello (32)
Concert Band ou Harmonie et Ba… (32)
Trompette en Mib, Cor, Trombon… (32)
Choeur SS (B) ou SA (B), 2 Vio… (32)
Trompette, Cor et Piano ou Org… (32)
Trombone et Orchestre ŕ Vent (32)
Balalaďka Et Piano (32)
5 Saxophones (Soprano, Alto, 2… (32)
Choeur a Cappella (32)
Guitare (Fingerpick) (32)
String Trio: 2 violins, viola (32)
2 Trompettes Et 2 Trombones (31)
Choeur SSATB, 2 Flűtes Travers… (31)
Choeur SSATTB, (6 Instruments,… (31)
Flűte ŕ Bec Alto ou Flűte Trav… (31)
Recorder, Bass Continuo (31)
Trompette et Quatuor ŕ Cordes (31)
Flute, Violin, Keyboard (basso… (31)
3 Clarinettes en Sib et Clarin… (31)
Ensemble Divers (31)
Trompette et Piano ou Orgue (31)
Orgue et Brass Band (31)
Batterie Fanfare En Mib (30)
Guitar and Bass Tablatures, Ch… (30)
Duos (30)
2 Recorders, Basso continuo (t… (30)
Musique originale (30)
Saxhorn en Sib Basse Continue (30)
Harp, Orchestra (30)
Bugle et Piano (30)
Hautbois et Cordes (30)
5 Recorders (30)
Choeur d'Enfants (30)
Organ and Brass Band (30)
Opéra (30)
2 Violons et Orchestre (30)
Solistes SATB, Choeur SATB, 2 … (29)
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Faust (GOUNOD CHARLES)
Opera
[Sheet music]
Barenreiter
Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second...
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Opera with a Prologue and four Acts (First version) / Opera in five Acts (Second version) Dialogue versions. Par GOUNOD CHARLES. Charles Gounod’s “Faust” secured its international recognition in the version as an entirely sung opera, which from thenceforth has largely obscured the fact that the work was originally composed with spoken dialogues. The early versions staged prior to the 1869 performance at the Paris Opéra containing substantial unknown material and with dialogues and melodramas are the subject of this new edition. (The third version “version opera” was published in a separate edition BA 8713 in 2016.) Even as the rehearsals were taking place at the Théâtre-Lyrique in 1858, during the first series of performances at the theatre in 1859, furthermore as the 1862 revival was approaching and during the performances on the smaller stage at the Place du Châtelet, there were constant changes and revisions. It is, thus, impossible to identify manifestly definitive versions. Nevertheless, by drawing on the entire source material now at hand (including fascinating material only recently discovered) and on the whole gamut of aspects communicated by the reception, Paul Prévost systematically presents us with a score laid out in two main versions in whose chronology constancy and change become transparent. With all the musical changes having been documented, the result is a practicable score for performances which reveals a still far too unknown “Faust” – a “Faust” that is rooted in the tradition of the opéra comique. Quite a few musical numbers are published as a score for the first time in this edition: the trio for Faust, Wagner and Siebel “À l’étude ô mon maître”, the duet of Valentin and Marguerite “Adieu, mon bon frère!”, Méphistophélès’ air “Maître Scarabée”, Siebel’s romance “Versez vos chagrins dans mon âme!”, Valentin’s air with chorus “Chaque jour, nouvelle affaire”, the chorus of witches “Un deux et trois”, and also seven melodramas whose missing or incomplete orchestration has been written for our edition. It was only recently that the long-lost second part of Faust’s original cavatina “Salut! demeure chaste et pure” was unearthed. Only in details of orchestration do other numbers differ from the well-known pieces./ Répertoire / Opéra
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Le Comte Ory -Opera In Two Acts-
Opera
Barenreiter
Mit ?Le comte Ory' erscheint der fĂĽnfte Band aus der vielbeachteten Reihe ?Work...
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Mit ?Le comte Ory' erscheint der fünfte Band aus der vielbeachteten Reihe ?Works of Gioachino Rossini'. Nach seiner Uraufführung in Paris feierte das Werk große Erfolge an den europäischen Bühnen des 19. Jahrhunderts. Die turbulente Komödie um den Grafen Ory, der sich mit seinen wüsten Kumpanen Zutritt zu einem Nonnenkloster verschafft, ist eines von Rossinis effektvollsten Meisterwerken.Der Herausgeber Damien Colas legt in Zusammenarbeit mit dem ?Center for Italian Opera Studies Chicago' eine kritische Neuausgabe vor, die unter Heranziehung einer Vielzahl von Quellen einen originalen Text des Werkes präsentiert, der in vielen Fällen von der bislang erklungenen Überlieferung abweicht. So konnten originale Besetzungen, formale Verläufe und zahlreiche fragliche Lesarten wieder hergestellt bzw. korrigiert werden. / Opéra
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Adam: Toreador Ou L'Accord Parfait: Mixed Choir: Vocal Score
Opera
[Vocal Score]
-
Advanced
Barenreiter
Inspired by models from the Commedia dell?Arte the plot is set in Seville and p...
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Inspired by models from the Commedia dell?Arte the plot is set in Seville and presents the old ?Greybeard? Don Belflor (a retired bullfighter and womanizer) his young wife Coraline and her lover Tracolin. In a highly contemporary way this leads to a three-way relationship of which everyone approves. The ?accord parfait? is a perfect triad consisting of exactly three notes. It is noticeable that the libretti of the Second Republic were no longer subject to censor.Two arias were planned for each role. As a flautist Tracolin also knows how to evoke famous melodies from the French opera repertoire in his advances. The centrepieces are the two trios.Oneof these the variation number ?Ah! vous dirai-je maman ? is the jewel of the opera: here vocal virtuosity and the comedy of the situation are combined with brilliant ease.The Vocal score is based on the first scholarly-critical edition of the opera. This appears in the series ? L'Opéra français ? edited by Paul Prévost. Here the spoken dialogue text is integrated with the music for the first time.Based on the Urtext of the new series ? L?Opéra français ?.Original French text with singing German translation.Extensive foreword (Fr/Ger/Eng).Full score (BA8701) and Vocal score (BA8701-90) available for sale and performance material available for hire.
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Leos Janácek: The Cunning Little Vixen: Opera Vocal Scores: Vocal Album
Opera
Barenreiter
Opera in three acts. Leos Janácek began composing his seventh opera, ?The Cunni...
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Opera in three acts. Leos Janácek began composing his seventh opera, ?The Cunning Little Vixen?, based on the popular feuilletons of Rudolf TesnohlĂdek, in January 1922. The first copy of the score, since lost, was completed by Václav Sedlácek in October 1923, while the second copy was prepared by Jaroslav Kulhánek in January 1924. The world premiere took place on 6 November 1924 under the direction of Ota ZĂtek and was conducted by Frantisek Neumann. The vocal score was published in Czech before the event and then again in 1925 along with the German translation by Max Brod, which is something of a separate version of the text in its own right. This volume of the complete edition reprints the critical edition by JirĂ Zahrádka, which was published by Universal Edition in 2010. The present edition newly includes transcriptions of the libretto in three languages (Cz/Eng/Ger) and a detailed Critical Report (Eng). The edition draws on all extant sources and ? in consideration of Janácek?s active participation in rehearsals for the premiere production ? integrates both the dynamics of Franti?ek Neumann and the performance markings of Sir Charles Mackerras into the musical text. This is the third opera to be published in the complete edition, following ?Fate? and ?The Makropulos Affair?.
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Music Analysis (WHITTALL ARNOLD / DUNSBY J)
Opera
[Sheet music]
Faber Music Limited
Par WHITTALL ARNOLD / DUNSBY J.. Ecrit pour les Ă©tudiants et les enseignants, l...
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Par WHITTALL ARNOLD / DUNSBY J.. Ecrit pour les étudiants et les enseignants, la préoccupation centrale des auteurs est avec les approches du XXe siècle à deux types de musique : que basé sur la tonalité (la langue de Bach, Beethoven et Brahms) et d'autre part, antonal et composition de série, avec Schoenberg et Webern les maîtres représentatifs. Le livre se termine par une introduction à la plus en plus importante remplacée par la nouvelle ISBNject du structuralisme et sémiologie musicale./ Recueil / Opéra
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William Schwenck Gilbert Arthur Sullivan: Utopia Limited: Voice & Piano: Vocal
Opera
[Sheet music]
-
Intermediate/advanced
Faber Music Limited
Having a rather idealistic view of England and the English people King Paramoun...
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Having a rather idealistic view of England and the English people King Paramount of the south sea island of Utopia decides that his people should adopt all English customs and fashions and that the kingdom should become a company limited.Utopia Limited or The Flowers Of Progress is a Savoy Opera with music by Arthur Sullivan and Libretto by W.S. Gilbert. It was the second-to-last of Gilbert and Sullivan's fourteen collaborations premiering on October 7 1893 for a run of 245 performances.Available here is the vocal score of the Opera.
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Peter Grimes (BRITTEN BENJAMIN)
Opera
[Book]
Avant Scčne Opéra
Par BRITTEN BENJAMIN. / Date parution : 2022-02-18/ Livre / Opéra
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Arranging X Large Jazz Ita
Italiano
Opera
Volonte and Co
MĂ©thode Berklee PressUn guide complet pour organiser la section grande corne. P...
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Méthode Berklee PressUn guide complet pour organiser la section grande corne. Pour la première fois, vous pouvez apprendre les mêmes techniques enseignées à l'organisation de prestigieux Berklee College of Music et étudiés par les arrangeurs meilleurs et les plus brillants Invitez maintenant. Même si le texte est axé sur les styles de jazz classique et du big band, des informations générales sur pièce et sur ??l'harmonisation de l'éolienne peut être utilisée pour tous les styles moderne, de hip-hop au ska. Cette lintiene toutes les informations dont vous avez besoin lors de l'écriture des scores pour les cuivres, inspiré des pages écrites par les professeurs de Berklee. Le CD d'accompagnement est un excellent outil pour l'apprentissage, mais seulement d'écouter et d'apprécier, avec plus de pistes et de démonstration certains arrangements écrits dans le style des grands maîtres tels que Count Basie, Duke Ellington et Gil Evans. â ? oeSono été très impressionné par ce livre. Est valable non seulement pour les compositeurs et arrangeurs, mais aussi pour les directs / Opéra Théorique/Didactique
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Thomas Adès: The Tempest - Limited Edition: Opera: Score
Opera
[Sheet music]
Faber Music Limited
Full Score-Thomas Adès? The Tempest one of the most striking and successful op...
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Full Score-Thomas Adès? The Tempest one of the most striking and successful operas of recent years is available for the first timeas a beautifully produced limited-edition full score. Featuring the stunning image ?Octopus? by artist Claire Burbridge this unique cased edition includes colour plates of exclusive images from Adès? original handwritten score and sketches. Each copy is signed and numbered by the composer. From the turbulent orchestral prelude with which it begins to Ariel?s stratospheric yet ethereal ?Five fathoms deep? and the radiant quintet of reconciliation inits final act Thomas Adès conjures up a wholly compelling musical world in The Tempest.Responding to librettist Meredith Oakes? clear unfussy refashioning of Shakespeare into formalised rhyme schemes Adès has created a new kind of tonal language that is both direct and communicative but also indelibly contemporary.? Limited to 250 copies with signed and numbered limitation page.? Cased square back and sewn.? Endpapers feature original artwork ?The Firmament? by Claire Burbridge.? Case features original artwork ?Octopus? by Claire Burbridge printed in neon Pantone 809 with scratch-proof matt lamination and high gloss uv.? Black book-block edges ribbon and head
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Berenice, Regina d'Egitto HWV 38 (HAENDEL GEORG FRIEDRICH)
Opera
[Sheet music]
Barenreiter
Operas in three acts Version of the premiere, London 1737. Par HAENDEL GEORG FRI...
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Operas in three acts Version of the premiere, London 1737. Par HAENDEL GEORG FRIEDRICH. “Charming Berenice” – the Earl of Shaftesbury attended a rehearsal of the opera on 12 May 1737 and went into raptures about this “inexpressible delight”. “Berenice” was premiered at Covent Garden Theatre in London just a few days later on 18 May 1737. “Berenice” is one of the “light” operas and offers a wealth of musical gems, the second movement of the overture having become famous as “The Minuet from Berenice”, for instance, as has Berenice’s extended aria in the third act, in which she reflects on the inconstancy of the god Amor in duet with the solo oboist. The musical imagery which Handel worked into the opera is likewise enchanting, such as the imitation of bees humming in Fabio’s “Vedi l’ape” and the sorrowful cooing of a dove in Selene’s “Tortorella che rimira”. The scholarly-critical new edition contains the musical text of the first performance together with pieces in the appendix which Handel excised or shortened in preparation for the premiere. As is customary with our editions, a preface provides a detailed introduction to the genesis of the work, the story’s historical context, the source material and reception. Furthermore, the edition includes a translation of the libretto and an exhaustive Critical Report./ Répertoire / Opéra
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Faust
Opera
Barenreiter
'Faust? stands for the composer Gounod himself, who was torn between the express...
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'Faust? stands for the composer Gounod himself, who was torn between the expression of excessive sensuality and a deep spirituality which he was searching for in his Catholic faith. As such, in this most important musical setting of Goethe's drama, the work was given a deeply personal interpretation. With a detailed Foreword (Fr/Eng/Ger) this new edition presents the genesis of the work with its various, during Gounod's lifetime, completely sung versions.The main version of our edition was performed at the Paris Opéra on 3 March 1869. However, simple cross references in the score enable a reconstruction of the earlier and later stages of this work for performance. Rounding off this publication is a critical edition of the libretto. All available sources are described and the Critical Commentary provides information about any changes made to the individual numbers.The two earlier Faust versions with spoken dialogue will be included in a separate volume within this series (in preparation, BA 8714). / Opéra
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Enciclopedia Lettura Ritmica
Italiano
Opera
Volonte and Co
Gary Hess ha scritto il libro definitivo sulla Lettura Ritmica. Il testo contien...
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Gary Hess ha scritto il libro definitivo sulla Lettura Ritmica. Il testo contiene tutte le nozioni fondamentali di teoria musicale che stanno alla base della musica moderna. I simboli musicali, i concetti di suddivisione ritmica, pulsazione, indicazi tempo e metro vengono esposti in modo a tutti comprensibile. Il metodo è basato sulle innovative tecniche di Counting, che consistono nel sistema di scansione verbale delle suddivisioni ritmiche, su cui si fonda da più di mezzo secolo la teoria modempio spazio è dedicato allo studio dei tempi tipici della musica contemporanea quali il tempo tagliato, gli ottavi swing, i sedicesimi shuffled, i tempi composti. Il libro consente, inoltre, di sviluppare la capacità di lettura delle partiture tipicha tradizione Jazz, Fusion, Blues, Big Band. L'intero metodo si presenta come un manuale operativo grazie alle tabelle dove l'utente può annotare i propri progressi. Da sottolineare, infine, che quest'opera costituisce il programma di Lettura Ritmica / Opéra Théorique/Didactique
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Recueil ? Airs d?opéra (VIVALDI ANTONIO) (VIVALDI ANTONIO)
Français
Opera
Editions Buissonnieres
Par VIVALDI ANTONIO. C'est seulement en 1713 que Vivaldi aborde l'opéra ; certa...
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Par VIVALDI ANTONIO. C'est seulement en 1713 que Vivaldi aborde l'opéra ; certaines sources parlent de 94 productions, mais seules 50 ont été identifiées. La musique de ces opéras n'ayant pas été imprimée, contrairement aux livrets, il ne reste trace (complète ou partielle) que d'une vingtaine d'opéras. Impresario du Teatro San Angelo de Venise, Vivaldi écrira la majorité de ces opéras pour ce théâtre. Les 30 airs de ce recueil sont proposés en réduction chant-clavier, pour voix de contre-ténor, extraits des opéras : Andromeda Liberata, Ottone in villa, L'Olimpiade, Tietiberga, Tito Manlio, Il Tigrane, Bajazet, Il Giustino, Olando finto pazzo, La Verità in cimento, La Fida nonfa, Orlando Furioso. / Date parution : 2014-07-01/ Recueil / Contre Ténor
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Music to "Soliman second, ou Les Trois Sultanes" (GLUCK CHRISTOPH WILLIBALD)
Opera
[Sheet music]
Barenreiter
Comédie (Laxenburg 1765) Gluck Complete Works IV/4. Par GLUCK CHRISTOPH WILLIBA...
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Comédie (Laxenburg 1765) Gluck Complete Works IV/4. Par GLUCK CHRISTOPH WILLIBALD. The critical edition presents the music to the verse comedy “Soliman second, ou Les Trois Sultanes” by Charles-Simon Favart (1710–1792), which was performed before the Viennese courtly audience in the Schlosstheater Laxenburg by the French troupe of the Burgtheater on 18 May 1765. This is the first time that Gluck’s music to the Favartian comedy has appeared in print. A popular comedy which in particular was known for its exotic colour, “Soliman second” quickly made its mark on many European stages. Through the good offices of the court theatre director Count Durazzo, the libretto made its way to Vienna too. As “Direttore della Musica” at Vienna’s Burgtheater and an accomplished writer of French opéras-comiques, Gluck may have been commissioned to compose the vocal numbers – four solo airs and a duet – which were meant to be performed in the comedy. As far as can be established, Gluck’s involvement in incidental music is an exception in his artistic output. In addition to the detailed introduction to the history of the work, the volume contains the Critical Report providing exhaustive information on the source material, editorial technique and performance practice. The libretto for the premiere performance and illustrative extracts from the sources are reproduced in facsimile./ Répertoire / Opéra
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Traviata Partitura Edizione Critica (VERDI GIUSEPPE)
Opera
[Sheet music]
Ricordi
Ed. Critica F. Della Seta - Partitura e Commento Critico Inglese. Par VERDI GIUS...
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Ed. Critica F. Della Seta - Partitura e Commento Critico Inglese. Par VERDI GIUSEPPE. A Cura Di Fabrizio Della Seta/ Répertoire / Oeuvres Théâtrales/Oratorios et Ballets
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Dimitri Shostakovich: Le Nez: Libretto
Opera
[Sheet music]
Universal Edition
Libretto with German English French and Italian text. Piano reduction by Carl ...
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Libretto with German English French and Italian text. Piano reduction by Carl Goetz.
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Wolfgang Amadeus Mozart: La Clemenza di Tito: Mixed Choir: Vocal Score
Opera
Barenreiter
Opera seria in two acts - Urtext Edition
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Cosi Fan Tutte Kv 588 (Ital-Dt) (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. -Link, J. -D./ RĂ©pe...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. -Link, J. -D./ Répertoire / Opéra
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Benjamin Britten: The Golden Vanity: Vocal
Opera
Faber Music Limited
The Golden Vanity
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Cosi Fan Tutte Kv 588 (Ital-Dt) (MOZART WOLFGANG AMADEUS)
Opera
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. -Link, J. -D./ RĂ©pe...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Levi, H. -Link, J. -D./ Répertoire / Opéra
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Benjamin Britten: The Golden Vanity: Vocal
Opera
Faber Music Limited
The Golden Vanity
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William Schwenck Gilbert Arthur Sullivan: Ruddigore Or Witch's Curse: Opera:
Opera
Faber Music Limited
Or 'The Witch's Curse'. This score contains all the dialogue.
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Alan Jay Lerner Frederick Loewe: Camelot: Opera: Libretto
Opera
[Libretti]
Faber Music Limited
Camelot is a popular Musical which also received a film adaptation in 1967. Ava...
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Camelot is a popular Musical which also received a film adaptation in 1967. Available here is the Libretto for the Musical with book and lyrics by Alan Jay Lerner and music by Frederick Loewe. The show is based on the King Arthur legend as based on the T.H. White novel The Once and Future King.
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Meistersinger Von Nürnberg (Les maitres chanteurs de Nuremberg) (WAGNER RICHARD)
Opera
[Sheet music]
Breitkopf & Härtel
Par WAGNER RICHARD. Editeur(s) d'origine: Singer, Otto/ Répertoire / Opéra
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Eugen Onegin (TCHAIKOVSKI PIOTR ILITCH)
Opera
[Sheet music]
Breitkopf & Härtel
Par TCHAIKOVSKI PIOTR ILITCH. Editeur(s) d'origine: Koerth, Manfred / Ebermann, ...
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Par TCHAIKOVSKI PIOTR ILITCH. Editeur(s) d'origine: Koerth, Manfred / Ebermann, Wo/ Répertoire / Opéra
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Ear Training + 2Cd Ita
Opera
Volonte and Co
Per il musicista contemporaneo.Una volta sentito un motivo riesce a rieseguirlo ...
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Per il musicista contemporaneo.Una volta sentito un motivo riesce a rieseguirlo a memoria, a ideare una melodia e mettere tutto ciò per iscritto senza cambiare nemmeno una nota, oppure suonare subito, senza alcun apparente sfasatura tra il pensiero e l'esecuzione. Nonostante di soi si riferisca a questa abilità in termini di 'dono? -ovvero un qualcosa che è stato conferito ad una persona da una forza esterna- in realtà questa dote si basa su abilità concrete che possono essere apprese attraverso una corretta educazione musicaesto testo, completato da 2 cd allegati, accompagna passo dopo passo proprio nella direzione di un giusto ed efficace percorso didattico attraverso il famoso corso di Ear training del Musician Institute. Grazie a questo metodo si potranno migliorare lmente le proprie abilità musicali. Le analisi e le lezioni comprendono: l Intonazione di base - l Cantare scale maggiori e minori - l Riconoscimento degli intervalli - l Trascrizione di melodie e ritmi - l Riconoscimento di accordi e successioni di / Opéra Théorique/Didactique
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Wagner R. - Tristan Und Isolde Wwv 90 - Facsimile
Opera
Barenreiter
Edition no.: BVK 2270 ISBN: 9783761822708 Volume / Series: Documenta musicologic...
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Edition no.: BVK 2270 ISBN: 9783761822708 Volume / Series: Documenta musicologica II/45 / Bärenreiter Facsimile Editor: Konrad, Ulrich Language(s) of work: English, German Product format: Facsimile Binding: Half-leather binding Pages / Format: 405 S. - 41,7 x 30,0 cm “This Tristan will be something formidable! This last act!” “I fear the opera will be banned – if the whole work is not parodied through bad performance: only mediocre performances can save me! Thoroughly good ones will surely drive people crazy.” Richard Wagner While working on the score to “Tristan und Isolde”, Richard Wagner expressed his excitement and elation about his new musical drama. Indeed, the radical originality of the work proved to be both unique and forward-looking: Over 150 years ago it signified the “dawn” of the modern era and to this day it has not lost any of its fascination. Throughout his life, Richard Wagner was proud of his even handwriting. He constantly strove to produce manuscripts of a high calligraphic standard. The Tristan manuscript is also clearly written. More so than in his other scores however, traces of his working process are evident. It is precisely this aspect of the autograph that makes it fascinating. Reading it, one is witness to Wagner’s highlyconcentrated, powerful and relentless writing. This manuscript is in every possible way unparalleled reflecting individuality and uniqueness. In time for the 200th anniversary of Wagner’s birth in 2013, this great work will be published as a BÄRENREITER FACSIMILE in cooperation with the National Archive of the Richard-Wagner-Stiftung Bayreuth. In addition to the complete score, the edition includes the autograph concert ending of the Vorspiel as well as three pages that Wagner rejected while composing and later used for sketches. Ulrich Konrad, the renowned musicologist describes the genesis and performance history of the work in his comprehensive commentary. He also details the physical appearance and condition of the autograph as well as giving an insight into the musical language of Wagner.
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