Händel, Georg Friedrich
La Bellezza ravveduta nel trionfo del Tempo e del Disinganno HWV 46a
Oratorio in two Parts
Rome 1707
- Urtext edition based on the “Halle Handel Edition” (HHA)
- With literal German and English translations
- Comprehensive Foreword (Ger/Eng)
- Idiomatic uncluttered piano reduction
Handel composed his first Italian oratorio “La Bellezza ravveduta nel trionfo del Tempo e del Disinganno” in 1707. It is based on an allegorical moral libretto written by Cardinal Benedetto Pamphili who also commissioned this work.
Disinganno (Illumination) and Tempo (Time) try to get the young, beautiful and frivolous Bellezza (Beauty) to recognise the true values of life and to act accordingly. The audience accompanies Bellezza in her spiritual development, in which she increasingly distances herself from Piacere (Pleasure) and listens more and more to Tempo and Disinganno.
The oratorio contains some of the most beautiful music Handel ever composed. This includes the enchanting aria “Lascia la spina”, in which he uses the music of the sarabande from the opera “Almira”, composed in Hamburg in 1704, and which then achieved immortal fame in “Rinaldo” (1711) as “Lascia ch’io pianga”. / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / BARENREITER

conducteur
Compositeur : Händel Georg Friedrich
Instrumentation : STTB (soli), SATB (Ch?ur), Hb, 2 Vn, Bc / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / CARUS

/ Partitions classique / Vocale - chorale / Choeur et ensemble vocal / BARENREITER

For mezzo soprano and tape or for 3 voices
Difficulty: 7-8
Edition type: score
Edition Info: The tape needs to be prepared by the interpreter / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / UNIVERSAL EDITION

conducteur
Compositeur : Scarlatti Domenico
Instrumentation : SSATB (soli), SATB (Ch?ur), Org / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / CARUS

Nachdem Schütz nach dem Tode Gabrielis von seinem Aufenthalt in Venedig in seine Heimat zurückkehrte, begann er die erworbenen Eindrücke musikalisch zu verarbeiten. Vor allem das mehrchörige Musizieren war hierbei sehr wichtig, wofür die zwischen 1615 und 1619 entstandenen Psalmen Davids ein Beleg sind.
SWV 24 (op. 2 no. 3)
1619
Fav SATB/SATB, Cb, Org, [8 Instr]
/ Partitions classique / Vocale - chorale / Choeur et ensemble vocal / CARUS

Edition de Uwe Wolf
Instrumentation : SATB / SATB / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / CARUS

Johann Sebastian Bach Lord my God, my heart and soul were sore distressed
Cantate pour le 3ème dimanche après la Trinité et pour tous les jours BWV 21, 1713
La présente édition permet l'exécution de la cantate dans les différentes formations prévues par Bach. La distribution des parties solistes pour voix aigüe est toujours d'abord celle prévue par Bach à Leipzig, puis entre parenthèses celle de Weimar et Köthner. / Partitions classique / Vocale - chorale / Choeur et ensemble vocal / CARUS