Composed and published 2014.Commissioned by Festival Internacional Cervantino 2014.First performance: Randall Scarlata (baritone) and Ensemble Redes Festival Internacional Cervantino 2014 13th October 2014.Duration: 12 minutes.Instrumentation: Flute(=Bass Flute) Bass Clarinet Percussion Guitar Violin Viola.[Percussion: Triangle Cymbal Large Tam-Tam Wood Block Tambourine Wooden Chimes Sleigh Bells Güiro Maracas Bongos 3 Tom-toms Felxatone Waterphone Vibraphone Marimba 29-inch Timpani].

For Horn Accordion Violin Cello Double Bass and audio. Musicians from the Tel-Aviv Academy of Music and Electronics conducted by Andrea Gottfried premiered Dancing With A Mirror in Israel in 2003. This score/parts set includes a CD containing the recorded Electronic part.

Soundless Coast-Costa Muda (Soundless Coast) was commissioned by the Casa da Música Foundation. First performed on the 26th February 2013 at the Sala Suggia/CdM by the Matosinhos Jazz Orchestra conducted by Pedro Guedes to accompany the projection of the film ?O Naufrágio do Veronese? (Invicta Filme Portugal January 1913.5'30'; for ensemble2 Alto Sax (1st = Soprano Sax; 2nd = Flute) 2 Tenor Saxophones (1st = Bass Clar) 1 Baritone Sax (= Bass Clar)4 Trumpets in Bb (1st = Flugelhorn) 3 Trombones 1 Bass Trombone Guitar Piano Double Bass Drums

Bring back the Maynard Ferguson sound with this fast jazz/rock Pendowski original. Mike has provided an optional additional trumpet part to feature a guest soloist or to use with your own resident screamer. A great chart for festival or contest!

Alice In Wonderland is a score in three main sections inspired by a short film of the same name from 1903 by Hepworth and Stow. For Flute Clarinet Violin Cello and Piano. Composed and published 2015. Duration: 9' Written for The New Music Players and Orchestra of Sound and Light for concerts in London and Sussex with funding support from The RVW Trust and Arts Council England. Premiere: Rowland Sutherland (Flute) Fiona Cross (Clarinet) Katie Stillman (Violin) Michael Atkinson (Cello) Richard Casey (Piano) University of Sussex 24th September 2015.

The lively melodies of the traditional French carol Sing We Now Of Christmas play one with another in a brilliant Instrumental Pack that is perfect for school church and community choirs. Festive and filled with joy! The parts available in this collection are the full score Flutes 1 and 2 Oboe Bb Clarinets 1 and 2 Bassoon Percussion 1 2 and 3 Harp Violins 1 and 2 Viola Cello and Double Bass.

Rob Vuono has consistently had his beginning jazz charts performed at Midwest. Written for his daughter this phenomenal easy swing chart is full of energy. Trombones have some optional plunger work that really enhances the overall effect. Occasional piano fills are written out along with the rest of the rhythm. Consider this strongly for your next performance.

Flexible 4-Part Concert Pieces-Arranged for beginners these well-known and original pieces will successfully launch instrumentalists into the exciting and rewarding world of ensemble playing. The parts are of equal importance and are written within comfortable ranges for each instrument. An optional supporting piano part is provided to reinforce the ensemble if necessary.Instrumentation is flexible and any number of players can join each part.FREE BRASS ENSEMBLE OPTION These pieces in Vol. 2 are also suitable for brass ensemble and further parts for trumpet trombone and tuba are FREELY AVAILABLE from the Universal Edition website.PART 1 in C Bb or Eb: Flute Oboe Violin Clarinet or AltoSaxophone; PART 2 in C Bb or Eb: Flute Oboe Violin Clarinet or Alto Saxophone; PART 3 in C Bb or F: Violin Viola Clarinet Tenor Sax. or French Horn; PART 4 in C Bb: Cello Double BassTraditional: O du lieber AugustinVerdi Giuseppe: The force of Destiny (theme)Traditional: Loch LomondRae James: Premiership Blues

Wald for Ensemble was composed by Hans Abrahamsen in 2008-09. Co-commission by the Schönberg Ensemble and BBC for Birmingham Contemporary Music Group.Programme NoteWald is in a way a series of variations from the beginning of my woodwind quintet Walden (1978). This thematical idea is very simple - a rising call of a fourth and the response in other voices. This idea is repeated several times but because the call has a slower pulse than the responses the process leads to them changing order.In Walden I borrowed the title from the Americanphilosopher Henry David Thoreau who in the middle of the eighteenth century in a little wooden hermit house at the bank of the lake Walden pond wrote the book Walden of his life and time in the forests. Here he experimented living for two years in order to come closer to nature and to see if it was possible to live simply without all the unnecessary needs created by society. The book is filled with poetry but is also cutting and critical of society. In my piece Walden I tried to search for the same simplicity handling the most simple material but at the same time trying not to lose the poetry.Wald is a twin piece to Walden but also to my former piece Schnee.Robert Schumann wrote in 1848-49 a wonderful piano piece Waldszenen. He wrote this collection of short pieces with beautiful titles like Einsame Blumen Vogel als Prophet and also Jäger auf der Lauer just a few years before Thoreau wrote his book Walden. For them the forest is the magical romantic place that gives a spiritual insight to man but also from where we get our food through hunting. For me the forest still has this magical quality and Wald has scenes with a hunting horn that calls (I many years ago played the magical 'Waldhorn' and remember playing in the forest near my home) flocks of birds that when agitated take

This fast swing chart from Rob Vuono features melodic and harmonic writing at its best. Even at this grade level Rob has provided suggested voicings for the rhythm section. Tenor sax has an optional written solo before a sax soli. An a cappella section is ideal to work on the timing of the horns without rhythm before a vamp kicks in building to the end. Great writing!

This outstanding original is guaranteed to be the hit of your next concert! A full ensemble opening leads into a catchy melody before solo opportunities begin for alto sax and trombone (written solos are provided along with chord changes). Saxes then become the rhythm section in a fun a cappella winds feature followed by a shout chorus that really lives up to the name! This is one chart you will not want to overlook! (3:50)

There’s no riddle when it comes to the success of Rob Vuono’s jazz charts! His ability to create a complex sounding chart that is extremely easy to play makes this one a guaranteed winner. Starting off with a simple swing 2 feel the chart builds into a steady 4. A brief interlude drops the key down a half step before moving back up creating the illusion of a key change without one ever occurring! Fabulous writing by one of the top jazz arrangers in the country!

Anthem with recorders oboe strings ATB soloists and mixed voice choir.Parts included:Recorder IRecorder IIOboeViolin IViolin IIViolaBassKeyboard

Your students can sound like the great Count Basie Band in a short amount of rehearsal time with this very easy swinger. Range demands are low with the lead trumpet going only to a 3rd space C and lead bone to a D. The chart is scored to work for three saxes and four brass. Check out the performance notes for exact instrumentation.