Along with Piano music song is Reynaldo Hahn's (1874-1947) preferred genre: with his light Baritone voice the young prodigy conquered Parisian salons by singing the works of his favourite composers (Gounod Massenet Fauré) not to mention his own compositions which enchanted audiences. Though finely wrought these songs have a naturalness which continues to please as evidenced by the success of the first two volumes. For many this third volume will be a revelation since it assembles for the first time songs that were published separately in magazines. It also includes the Love without wings cycle (1904 based on melancholy poems by Mary Robinson) andthe series of songs performed by Yvonne Printemps in the film La Dame aux Camélias (1934) which were on everyone's lips at the time. Contents: Aimons-nous Une étoile Dans l’été Au pays musulman Love without wings (Ah! Could I clasp thee in mine arms The fallen oak I know you love me not) Oh! For the wings of a dove! Adieu J’ai caché dans la rose en pleurs Naguère au temps des églantines Chanson (Danse petite sirene) Le Marchand de marrons La Dame aux Camélias (Mon rêve était d’avoir C’est à Paris ! Au fil de l’eau) Vocalise-Étude (Souvenir de Constantinople).

Broadway Presents! Teens' Musical Theatre Anthology: Female Edition is a delightful collection of musical theatre songs from a variety of shows that span decades of theatre history. Using the original vocal scores, the songs have been selected and adapted with the ranges and skills of teen singers in mind. Authoritative historical and contextual commentary, audition tips, and 16-bar cut suggestions for each song make this the most useful and relevant collection of its kind. CD includes accompaniment tracks. Titles: A Little Brains, a Little Talent (from Damn Yankees) * All for You (Seussical the Musical) * Always True to You in My Fashion * (Kiss Me Kate) * Astonishing (Little Women) * Bewitched, Bothered and Bewildered * (Pal Joey) * Boy Wanted (My One and Only * Don't Rain on My Parade (Funny Girl) * Gimme Gimme (Thoroughly Modern Millie) * Hold On (The Secret Garden) * Home (The Wiz) * How Are Things in Glocca Morra? (Finian's Rainbow) * I Had Myself a True Love (St. Louis Woman) * I Speak Six Languages (The 25th Annual Putnam County Spelling Bee) * I'm Not At All in Love (The Pajama Game) * Is It Really Me? * (110 in the Shade) * Mama Who Bore Me (Spring Awakening) * Mamma Mia (Mamma Mia) * Much More (The Fantasticks) * The Music That Makes Me Dance (Funny Girl) * The New Girl in Town (Hairspray) * Part of Your World (The Little Mermaid) * Practically Perfect (Mary Poppins) * Princess (A Man of No Importance) * Raunchy (110 in the Shade) * Roxie (Chicago) * Show Me (My Fair Lady) * Shy (Once Upon a Mattress) * The Simple Joys of Maidenhood (Camelot) * Somewhere That's Green (Little Shop of Horrors) * Waiting for Life (Once on This Island) * Whispering (Spring Awakening) * Your Daddy's Son (Ragtime). / Instrumental Music, Miscellaneous, Songbooks, Voca / Recueil / Voix et Piano

Ger./Russ.. Par TCHAIKOVSKI PIOTR ILITCH. Low voice - Piano / Classique / Répertoire / Chant et Piano

 Le Tour du Monde en 80 jours est une adaptation du roman de Jules Verne en opéra pour trois voix égales ou trois voix mixtes avec accompagnement piano d'une durée d'une heure environ entièrement chantée,Il est constitué de 19 numéros de 1'30 à 7' comportant une ouverture, un intermède et 17 parties chantées (la première et la dernière étant identiques),Destiné à des Classes à Horaires Aménagés Musique de collège ou à des chorales d'Ecoles de Musique, son but pédagogique détermine une écriture compositionnelle spécifique :- un choeur à 1, 2, ou 3 voix intervenant dans chaque numéro à la façon d'un choeur antique (narrateur, commentateur, foule)- 13 parties solistes qui interviennent sur 1 ou 2 scène(s) afin qu'un nombre important d'enfants ait un moment de mise en valeur et de responsabilité individuelle,- 4 parties solistes plus importantes éventuellement destinés aux élèves chanteurs ou comédiens,- L'intermède peut facilement être joué par un élève de cycle II, piano solo,- Certains numéros, pour choeur uniquement, peuvent être exécutés seuls dans un autre contexte que celui de l'opéra,- Des variations dans la difficulté des pièces, dans les styles et les tempi : swing, tango, rock'n'roll, valse, chant de marin,,,, dans un langage parfois tonal, parfois modal, dans les modes de jeu des voix, L'unité d'ensemble est assurée par un même thème qui parcourt toute l'oeuvre, associé au personnage de Fix,- La possibilité de d'ajouter facilement à l'accompagnement piano des parties instrumentales simples, notamment en petites percussions,Le livret s'appuie sur le texte original de Jules Verne et reste volontairement dans un esprit et une langue XIXème puisque le ressort de l'action s'inscrit lui-même dans une époque déterminée, C'est une autre approche de la littérature française pour les enfants, / Choeur

Over 100 songs including 'Myrthen' 'Sechs Gedichte Von Reinick' 'Frauenliebe und Leben' Breitkopf

The longest-running animated primetime series in history and the longest-running comedy on television ?The Simpsons? is a cultural institution. This book contains 26 songs from the award-winning show including theinstantly recognizable theme song by Danny Elfman and Emmy® Award-winning originals by Alf Clausen such as ?We Put the Spring in Springfield? and ?You're Checkin' In.? It also features four new songsin print for the first time (?He's the Man ? ?Ode to Branson ? ?Testify? and ?The Very Reason That I Live?) and eight pages of beautiful full-color artwork from the show!

The Hal Leonard Vocal Sheet Music series is an exciting new series for singers, featuring authentic piano accompaniments and custom guitar chord diagrams, tailored to each song's unique chord progressions and designed to provide realistic support. 25 songs for men's voices are included in this volume, all from contemporary Broadway classic shows such as: Aladdin - Avenue Q - Big Fish - The Book of Mormon - Dear Evan Hansen - The Drowsy Chaperone - Once - Shrek the Musical - Something Rotten! - Spring Awakening - and more.

Chansons de misérables, Miss Saigon, Martin Guerre, la Reine Pirate et Marguerite dans les éditions pour voix avec accompagnement au Piano et une liste de contenu complètement différent pour les femmes et les hommes. / Piano/Vocal/Guitare (PVG)

In his libretto for “Riccardo Primo” Paolo Rolli drew on Antonio Lotti’s opera “Isacio tiranno” which had been performed in Venice in 1710. Handel needed a text with two great women’s roles for the two best female singers of the day were members of his troupe – Francesca Cuzzoni and Faustina Bordoni. He had already written the operas “Alessandro” and “Admeto” for them. He began composing “Riccardo Primo” in spring 1727 completing the first version on 16 May. However following the death of King George I on 11 June 1727 the theatres remained closed.For Handel who had become a British citizen in February 1727 the accession of George II to the throne offered new possibilities and he embarked on a revision of the opera. With this he was able to offer a new opera for the coronation festivities the hero of which was one of King George’s charismatic forebears. From May onwards Handel thoroughly revised the present score wrote some parts anew and expanded it with particularly splendid music. Handel and Rolli also improved the plot and introduced patriotic elements to honour the British monarchy. The historic background is the third crusade against Saladin the Sultan of Egypt and Syria who had recaptured Jerusalem in 1187. Although King Richard I captured Cyprus and together with French crusaders stormed the fortress of Akko in the Holy Land the crusade ended with a ceasefire and Jerusalem remained in Saladin’s hands. Richard was given the title ‘Coeur-de-lion’ by the English for his great military ability and bravery although the Sicilians had first given him this name because of his relentless cruelty in clashes around Messina . The vocal score is based on the Halle Handel Edition volume published in 2005 edited by Terence Best and contains the second version of the opera which was premiered in November 1727. Performance material available for hire. Based on the Urtext of the Halle Handel Edition. Original Italian text with German singing translation. Straightforward and easy-to-play Piano reduction.

Many No.1 hits to play and enjoy on your keyboard including; Stand By Me Amazing Grace A Whiter Shade Of Pale and many more.

Cet opéra est appelé la section finale des spectacles pour les jeunes Let's Make un opéra. La première section de cette est sous la forme d'une pièce de théâtre et illustre la préparation et la répétition d'un opéra.Professionnels ou amateurs très doués sont nécessaires. / Solistes, Choeur, Quatuor A Cordes, Piano 4 Mains Et Percussions

The theme tune to the BBC TV series 'The Vicar of Dibley' has already joined the ranks of best-loved TV themes - not surprising when one considers that its composer has written many other memorable themes including those to the 'Black Adder' and 'Red Dwarf' series. Howard Goodall has now made an arrangement for solo voice and piano.